A Retreat to… and from… Creativity

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Our creative space at the 2016 Create & Incubate Retreat – thanks for the photo Kimberly!!

It’s a shock that I got any sleep at all. My social anxiety and a fear of flying solo across the country had my stomach so twisted I almost forgot to eat breakfast… if you don’t know me, that’d be like a frog forgetting to how to hop, it just doesn’t happen.

Worries, real and imagined infected every thought that swam past the back of my eyeballs. Will a flock of geese bring down my plane? Would I even survive on a deserted island? Will my connecting flight connect? Or will I be held up at the anal probing section of airport security?

Should I trip that girl cutting the line? Better play it safe and just will her to trip herself… After several hours of inner banter and turmoil I arrived in San Jose only an hour late and with both my shuttle man, Zack, and my new friend, Pam, ready to whoosh me off to Los Gatos for five days of creative bliss.

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Pam showing off some gorgeous art! She’s been exploring a series that features her client’s word of the year.

I might use creativity in my everyday life… photography and writing are like my arms, I love them and I know how to use them almost subconsciously, but there’s something about obligations and deadlines that lowers the fun factor drastically. Not all creations need to have a purpose, and I was soooooo ready to make things for no reason!

Zack whipped us around the narrow road that wound steeply up the mountain to the Presentation Center as he, Pam, and I BSed about weather, wildfires, and how we came across Melissa and her creative retreat.

We were early, but Randi, a mosaic artist who was a 4-time retreat returnee, was even earlier.

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Randi with the mosaic heart she created for a heart disease related charity. Isn’t it beautiful?! See more of Randi’s work here.

“What’s your creative thing?” Randi was returning my question, and I had the urge to justify my presence. I’d already seen Pam’s beautiful art via email, when we arranged to share a shuttle from the airport, and now I stood before another, no-doubt, uber-talented artist.

Fortunately, five years of reading Melissa’s blog had prepared me to catch myself in the act of self-doubt. I didn’t tell Randi that I wasn’t a real artist who doesn’t really know how to draw… but that’s what I thought.

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Melissa showing some of the calligraphy she created for her Instagram feed as her posts went viral and her followers doubled!

Instead, I told her that I’m a photographer (my confident artist title) and that I left my camera at home and brought a limited amount of markers to play with. Now as I replay this memory, I guess what I actually said was just a sugarcoated version of “I’m a real artist, really, but my ‘real’ art isn’t here right now, so please don’t judge me… I just want to play with some art supplies I have no experience with.”

Huh… I still have to work on that I guess…

But even though I was still, apparently, defending myself, I can also tell you that was the moment I dropped my guard. I knew I was being ridiculous, I didn’t have to justify myself because I was with my people in a safe space.

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Amy was hard at work on the nitty gritty details of producing her play! She took some time away from her laptop to play and these altered book covers were the beautiful result!

Melissa pulled into the parking lot several minutes later with Amy riding shotgun. Everyone was hugging and kissing hellos, and as soon as Melissa saw me she threw her hands up, “Rebekah!” she said as she pulled me into a hug. You’d never guess it was the first time she met me.

Next thing I knew Kimberly had arrived, and from the purple streak in her hair and her pioneer potty mouth, I solidified my earlier assumptions: these are my people.

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Kimberly created several watercolor studies at our retreat! Here is the last one in progress, and I just love the Zentangle elements she started to add – Kimberly is a Zentangle Instructor too

We all worked together to set up the “Incubator,” our creative space for the retreat, and we were like a family reuniting.

I’m not sure if it’s me getting older or me getting more intuitive, but I immediately felt at home with these women. I was having a déjà vu party all week long, like I’d known them all forever.

It wasn’t until the next day that Josiah, Amy’s hubby, showed up. Just like Randi, Amy and Josiah were also longtime veterans of the Create and Incubate retreat. The family vibe I got was very real.

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Josiah got busy creating the first pages of his graphic novel about a character who is discovering his way out of the 1st dimension! Great story and art!

That first morning I was pleasantly surprised by Melissa’s catalyzing sessions, they weren’t just motivating and energizing, they were hysterically fun too. We played all kinds of games that connected us first as individuals, and then, it often felt as if we became one entity.

This might seem like a weird analogy, especially coming from me, but it was a somewhat religious experience. Being raised as a Jehovah’s Witness, my first experience inside a Catholic church was quite jarring. I joined my best friend’s family at mass one Sunday after a sleepover, and the droning, monotonous tone that buzzed out of the pews truly alarmed me.

It was during one of our games that this memory came back to me. As we chanted, “hoo-ha, hoo-ha,” moving up and down to the beat, it was the very first time I understood how comforting a tribe-like chant could feel. I finally got it… twenty-something years later, I could finally relate to those churchy chanters.

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Drawing and photo by Kimberly – it’s a representation of our bunny game!!!

Of course we were not worshipping the hoo-ha god at the retreat, that was just how one game started.

Just imagine eight people standing in a circle, one person saying, “bunny-bunny,” two people saying, “tookie-tookie,” and the remaining five chanting, “hoo-ha, hoo-ha,” all at the same time. Now imagine a different set of body movements for each of those roles, and the people playing those roles are constantly changing as the chanting gets faster and faster.

One of two things happens during these games, we get into a flow, or we eff it all up and find ourselves in a fit of hysterics. The bunny game was just one of many games we played, and whether we were in our zones of genius or cracking up at our mistakes, we were always having fun.

When we weren’t playing games, chatting at mealtimes, or sleeping, we were creating. With a never-ending list of creative projects it took me a long time to narrow down what I would do during the retreat. I wanted to experiment with something new, but by the time I’d decided on markers it was too late to order them online.

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All the tools I used!

I rushed through the aisles of AC Moore to discover a very limited selection of Prismacolor markers. They also were waaaaaay more expensive sold as individuals than the package prices I saw online. I picked a pretty blue and purple, and the colorless blender I was dying to play with, but I was inexperienced with blending colors, so I grabbed all of the cool grays; they were the only ones I was sure would work together. I also knew that limiting myself would make me more creative AND limit any unnecessary decision-making.

When I started unpacking my supplies, I discovered that I’d accidentally bought one warm gray marker and internally rolled my eyes at myself. “Great, I wasted money on this one random warm marker, and now I’m probably missing a cool gray,” I mentally reprimanded myself.

Once I let go of my expectations, though, I started to play, and soon realized that this one mistake I’d made at the store had led to so much creative discovery. I started out blending the grays into gradients, then I played around with the colorless blender and fell in love with the way it created watermark-like strokes when used on top of the other colors. For shits and giggles I decided to try the warm gray on top of the various cool grays and I fell in love with those results too.

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Here are the effects of the colorless blender on top of warm gray (top 2 cards) and a combo of the blender and warm gray on top of cool gray (bottom 2 cards).

I played with as little thought about the outcome as I could manage. No deadlines, no guidelines, no audience, no price tag, just making something for making something’s sake. With every index card made that I hated, I learned how to make something I could hate a little less. I even made a few things that I loved.

I hadn’t done a true show and tell since elementary school, the last time I showed my work it was in my 1st year of college, but that was more of a critique session than a show and tell. I was pretty intimidated seeing all the beautiful art everyone created on the 1st day, and I wasn’t really looking forward to showing everyone my dinky little index cards. I was floored when everyone ooohhhed and aaahhhed at my work. Whether they really liked it or they were just super nice doesn’t really matter to me… the kind of support that makes me all warm and fuzzy inside, that’s what I’ll remember.

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I “love” this one =) I experimented with layers and this happened.

There were so many other great memories made at the Create and Incubate retreat, it was such a great experience that I’m already signed up for next year… actually everyone who went this year is coming back! I can’t wait!!!

I’ve always known that breaks are so important, but knowing something never has the same effect as doing it. I’m more refreshed now than I’ve been in a long time, and I’ve decided that this retreat should be a gift I always give to myself… now if only I could skip the flight… anyone down for road trip next summer?

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Randi inspired this one when she used an expression about how “the universe is winking at you” – I used Melissa’s typewriter for the words.

P.S. It seems so easy to analyze the things I’m doing and the reasons I’m doing them now, but the truth is, I probably wouldn’t even recognize half of the stupid things I do, or any of the things I should be doing, if it weren’t for Melissa’s guidance.

The creative struggle is real in a culture that trains all the fun out of you.

I know that many of you reading this are creatives too, and if you think you could use even a tad more fun and creativity in your life, you’ll definitely benefit from Melissa’s advice.

Check out Melissa’s blog and podcast and look out for her new book coming out soon!

 

How to Bind my Free Fine Art Printable Calendar

First of all, if you don’t already have one of my printable calendars, it’s totally free and you can download either a copy of my 2016 pet calendar or my 2016 fine art calendar right now. Hell, download em both if you want =).

So you printed my calendar and and now what? How do you hang this sucker? I suppose you could use a thumbtack, but the word tacky came from somewhere right… get my drift?

I’m going to show you how to turn a stack of photos into a beautiful accent for your home or office.

What you will need:

  • 14-page fine art printable calendar printed on 8.5 x 11 in. photo paper (you can print your own or grab one of mine from the 2 links above)
  • 1 wooden dowel 12 in. long and 7/16 in. thick
  • 2 wooden doll pin stands 1 1/8 in.
  • variety pack of chain links (I got a pack of 30 with large rings 1 1/2 in. wide and smaller rings about 1 in. wide in two different textures)
  • silver metallic paint
  • hole punch
  • 2 pairs of jewelry pliers
  • 1/2 in. paint brush
  • ruler

How to Bind my Free Fine Art Printable Calendar

Step 1: Paint the Wooden Pieces

I used two coats of silver metallic paint on both the wooden dowel and the doll pin stands. Let the paint dry 10-15 minutes between coats.

How to Bind my Free Fine Art Printable Calendar

Step 2: Connect the Rings

Start off with two 1-in. rings and connect them. Then take one of your larger rings and attach it to the two smaller rings where they intersect.

How to Bind my Free Fine Art Printable Calendar

How to Bind my Free Fine Art Printable Calendar

Tip:

Don’t pull the rings apart to open them, instead use your jewelry pliers to twist the rings open. Otherwise it will be nearly impossible to get the ends to match up again.

How to Bind my Free Fine Art Printable Calendar

Step 3: Complete the Chain

Add your small 1-in. rings to make two chains; one hanging off of each small ring you connected in step 2. My variety pack of chain connectors came with textured rings and smooth rings, so I alternated between the two for a little extra style.

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Step 4: Punch Holes in Your Calendar

Flip your calendar over and make two marks on the back, each of them 1 1/2 inches in from the sides and 1/2 in. down from the top. This is where you should punch the holes.

How to Bind my Free Fine Art Printable Calendar

Tip:

Instead of going crazy and measuring the spots out on every single page, just place the punched page on top of the next page. Make sure the edges of the photos are lined up and punch your new page right through the holes in the first page. This will also assure that the holes are lined up exactly.

How to Bind my Free Fine Art Printable Calendar

Step 5: Bind the Pages

Use 2 large rings to to bind all the pages together and slide your dowel through the loops.

How to Bind my Free Fine Art Printable Calendar

Step 6: Finally Finish Off the Chain

Take two more large rings and loop them through the wood doll pin stands that you painted earlier. These will serve to keep your calendar on the dowel and spread the chain out into a triangle shape.

How to Bind my Free Fine Art Printable Calendar

They should slide snugly onto each end of the dowel like this.

How to Bind my Free Fine Art Printable Calendar

Step 7: Put it all together!

First, slide the calendar onto the wooden dowel and then add the stoppers to each end (I know, I’m showing it backwards in the photos, but I forgot to photograph this step :-/). Finally, add your chain to these ends to complete the calendar!

How to Bind my Free Fine Art Printable Calendar

Step 8: Hang my Art and Enjoy!

This is how it should all come together. I’m so glad you chose my art to decorate your space and keep you organized this year!

How to Bind my Free Fine Art Printable Calendar

P.S. Feel free to print out more copies of my calendar and use this tutorial to give your friends an awesome homemade gift for any occasion.

P.P.S. If you sign up below you’ll get a new calendar every year, so don’t miss out!

 

The Evolution of my Business [Cards]

I don’t have children, so with my lack of that experience can I safely say that looking at this is like watching the birth of my child? Or maybe the birth of my parrot (birds are NOT cute newborns) would make more sense in this scenario.

Anyway, thought you might be interested to see how I started out in this business. I was so eager to do everything even when I knew nothing.  We all start somewhere; I’m not ashamed… I’m actually kind of proud of how far I’ve come =)

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Sparking My Creativity – A Photography Prompt

When I took these photos it was a bitterly cold day and I was feeling very blah. I wanted to photograph something – anything, really.

My usual subjects are pets, flowers, and bugs so there was no chance of finding anything new to photograph. Actually, if I remember it right, we were about to get snowed in. Well anyway, I was determined to force myself out of funkland.

I had Nick pick the ugliest thing in our apartment and he chose our stove. No argument there – I’m pretty sure my landlord painted it white when it started to discolor so now when I clean it there are always specs of white flaking off onto my sponge and revealing a nasty yellowish brown color beneath.

So I decided to get out my macro lens and try to make our repulsive stove into a beautiful piece of art. It was a spur of the moment photography prompt, and here’s how it came out:

The whole oooogly stove. Just so you know what I was working against – I mean with – here.

the whole ugly stove

Ok so I didn’t make anything spectacularly beautiful, but they certainly are interesting if nothing else – right? Oh and in case you’re wondering what the one on the left is: it’s a patch of the backboard between the oven light switch and the clock. My macro lens is definitely my favorite toy to play with!

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Thanks for reading!

 

How to Make Handmade Photo Coasters

As many of you know every month I do a caption contest on my Facebook page. The winner of the caption contest wins photo coasters, made by me, with the photo of the month and the winning caption. (Don’t forget to check out this month’s caption contest to vote or submit your own caption for a chance to win! A few people have asked me how to make these photo coasters and today I’m going to show you how you can do it yourself!

What you will need:

  • Mod Podge (I use the Glossy kind but whatever you prefer will work) – you can find it in the craft section of many department stores or at Michael’s & A.C. Moore
  • 4 tiles sized 4 in x 4 in I use tumbled chiaro (stone) tiles because ceramic is so fragile – you can get tumbled chiaro tiles at Home Depot or Lowe’s
  • 4 photos
  • a piece of black felt
  • 2 paint brushes – I use a 1-inch and a 1/2-inch brush
  • a small bowl
  • scissors and/or paper trimmer
  • a small squeegee or credit card
  • a nice cup of coffee or tea to complete the creative atmosphere!

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Step 1: Get your photos ready!

I usually prepare my photos digitally so that they are the right size when they come out of the printer. If you have photo editing software that will allow you to resize and crop your photos you can do this too. In Photoshop you can use the crop tool to do this by setting both your width and height to 3.75 inches and setting the resolution to 300 ppi. Then I print onto 4×6 paper and trim the edges.

You can always skip this part, print your favorite image on 4×6 paper and then crop the old fashioned way – with a ruler! I prefer to use a paper trimmer to get perfectly straight lines, but scissors will work too.

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Step 2: Size up and place your photos

When size up my photos for coasters I always make them smaller than the surface of the tile. This is so that the photos are less likely to peel up from the edges, but it also creates a nice natural stone border on you tile that looks nice too. I like to cut the corners off the photos too for a little more shape.

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Tip: Use the back side of the tile for the front of your coaster. The rougher the surface, the better the Mod Podge will hold. In the photo below the backside of the tile is shown on the left, this is the side you should use as your front.

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Step 3: Start Mod Podging

Pour some of your Mod Podge into a small bowl. Grab your 1-inch brush and start painting the Mod Podge onto the back of your photo. Cover the entire surface, then place your photo onto the coaster. You will have a few seconds to slide it around before it starts to hold.

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Use your squeegee to get rid of any bubbles or excess Mod Podge. Start from the center of your image and work towards the edges until your image is laying nice and smooth. Let your coasters dry for an hour or two. Cover your bowl so that the Mod Podge doesn’t start to dry while you wait.

Tip: I use a piece of wax paper between the squeegee and photo to prevent any scratches and to avoid getting Mod Podge all over my squeegee and then all over the next photo. You can use regular old printer paper if you don’t have wax paper. Just make sure to use a fresh piece on each coaster so you don’t transfer clumps of the glue onto the next photo.

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Step 4: Mod Podge some more!

Now you can start sealing your photo. Brush a thin layer of Mod Podge on top of your coaster. Make sure to brush even strokes all in the same direction, as you will be able to see your brush strokes in the finished product.

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You should put 3-5 coats of Mod Podge on your coasters to seal them. Wait 15 minutes in between coats. As your coasters start to dry they will turn from white to clear. When you’ve applied as many coats as you’d like let your coasters dry over night.

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Step 5: Make the feet

Now that your coasters are completely dry you can flip them over and work on the back. Cut a strip of your felt, about 1 inch wide and then cut them into 1 inch squares. You will need 16 feet.

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Use your small brush to dab some Mod Podge in each corner of your coasters and press the felt down. Make sure you let these dry completely before flipping them over, I usually leave them over night again just to be sure I don’t glue the coasters to my kitchen counter!

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Step 6: Enjoy your coasters!

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I hope you enjoyed this post! Don’t forget to follow my blog to get notifications of new posts – or even better – subscribe to my newsletter to receive exclusive coupons, promo info, and news about my pet photography and fine art photography. Both links are at the bottom of the page on the right.

Thanks for reading!

Bubbles: Take One

A close-up of a bubble reflecting the sky and trees.

Bubble close-up

I felt like a kid today as I walked through the toy aisle in Wal-Mart with an armful of bubble accessories. It reminded me of the time I got a sudden urge to have a play date with Play-Doh and dragged my boyfriend with me to Toys R Us.

Today, however, I was more interested in playing with my camera than the bubbles. My other mission was to create a nice custom header for this site.

Unfortunately, by the time I got the chance to start shooting it was after seven, and the sunlight was fading fast.  I thought using a strobe might have a cool effect, but it just made them look more like a miniature fleet of alien spacecraft. Focusing in the dark was another challenge, so I packed it up after 100 shots.

My bubble blower/boyfriend (Greg) came up with an interesting idea while he was smoking a cigarette, and exhaled into the bubbles. Although smoke-filled bubbles aren’t as beautiful, it was interesting to watch the soapy film slowly disintegrate and pop, leaving behind a swirl of smoke.

Bubbles filled with smoke

Smoke-filled bubbles

Well, I did get my header image, but I’ll have to re-shoot later this week. The bubbles that are in focus are small compared to the ones that are blurred. I’ll make sure to start photographing much earlier next time.

Showing your best side

As you may already know, faces are not symmetrical. Which side is better may be a matter of opinion, but it is the photographer’s job to present each person in the best light possible.

I’ve been reading up on posing in Steve Stint’s book, Digital Portrait Photography, and I’ve learned how to hide common imperfections like double chins, long or wide noses, and even size and height differences in eyes. It’s amazing how the right composition of a 2-D image can conceal so much of the 3rd dimension.

Thinking about all this led me to perform a little experiment on myself. I split an image of myself and copied each side to create two symmetrical images: one of the left and one of the right. The original photo isn’t exactly straight on, so that’s why there’s such a drastic difference in width, but you get the idea.

My conclusion: symmetrical people look like aliens!

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