Art Ink – 4 – Infinite Bravery – A Short Story Inspired by Danielle Krysa’s Art

 

 

 

Links from the Show at a Glance:

 

 

Artist: Danielle Krysa

Title of Art: untitled

Artist’s Website: http://www.krysa.com/danielle/

Instagram: @daniellekrysaart

Danielle’s Podcast: The Jealous Curator

 

The first episode of Art Ink to hear the story of how The Jealous Curator podcast helped me solve a problem with this show

 

Art Ink Submission Guidelines: rebekahnemethy.com/artinksubs

 

 

 

Art Ink Podcast Transcript:

 

[Intro:]

 

Welcome back everyone! I’m thrilled you’re here to listen because I have a really fun story for you today.

 

Today’s featured artist is Danielle Krysa, and if you listened to the very first episode of this podcast, you’d know that her podcast, The Jealous Curator had a hand in helping me figure out a problem I was having with this podcast and so I figured I just had to include some of her work in this podcast because, I mean, karma, right? She did me a favor, even though maybe not intentionally, so I figured I should pay her back somehow.

 

I found this piece on her Instagram and… let me just give you a little description to start us off:

 

[Art Description:]

 

This is a minimalistic mixed media piece with what looks like watercolor and acrylic paints with a splash of collage. A sailboat cutout is resting atop a cloud of aquamarine blue paint on the bottom right of the image. Pink and metallic bronze paints hover above and to the left of the sailing ship, resembling a distant sunset.

 

On Instagram, Danielle captioned her art: “some guys promised ‘sailing off into the sunset,’ but cap’n carl f’n delivered.” And so both the art and the caption had a part in creating the following story which features the cap’n carl I imagined.

 

[Story:]

 

I was NOT dreaming. I’d already done all the tests: pinched myself, read the same sign twice without scrambling the words or letters, I’d even closed my eyes, spun around, and opened them again to see the same scene.

 

I looked over the edge of the bow. The ship was floating on a shimmery, blue cloud of water so shallow it was translucent. I was on a magical journey, about to leave everything I’ve ever known.

 

Cap’n Carl had a skullet, you know, the balding man’s version of a mullet, and black holes where teeth used to be. The top of his head was like a dandelion, when the breeze would pick up, and the sails caught the wind, so too would large petals of peeling skin. They’d flutter and flap in the wind and, eventually release into the sky. I wondered if I might have a wish or two come true if blew on his head and managed to unhinge all the dead skin in one breath.

 

According to Cap’n Carl, though, my wishes were about to come true anyway. I was going to a place where time was infinite and money non-existent. It was still hard to believe, though, just as it would have been hard for anyone else to believe I’d be on a sailboat that soared through the sky… yet here I was, living that dream; passing clouds, chasing the sun’s bronze rays as it painted the clouds in our path.

 

Forever was a scary premise for most people, but not for me, there were too many stories inside me that still had to come out. And if I didn’t choose forever, I’d be choosing death. I’d be choosing to let my stories die with me. With the cancer that was cooking inside me, doctors estimated that in six months I’d be done.

 

According to Cap’n Carl, there was still time to change my mind. We had until sunset before there was no going back; all we had to do was walk the plank, metaphorically and literally speaking, and we’d instantly regress into our old lives.

 

We’d set sail with about a dozen other passengers. Most of them were also terminally ill, death-fearing people like me. But apparently, infinity was much scarier to them than death, because there was only one woman left aside from me. She was peering over the edge, her gaze switching between the setting sun and the sparkling sea below.

 

I looked back at Cap’n Carl, his smile was eager, but bordering on maniacal.

 

A splash sounded and I followed the Cap’n’s gaze to where the last passenger had once stood. I knew she was already gone by the time I’d turned my head. I’d watched many of the others jump ship before her, and once their bodies were fully enveloped in the shimmering plasma, they’d simply vanished from sight, leaving nothing but sparkling splashes erupting into the air like fireworks, fizzling out before they fell back into the ethereal substance below.

 

“Go on,” he called, “you know you want to follow them. Go back home to mortality.” He looked sad.

 

“Do so many people usually jump ship?” I asked, nervously glancing at the sun’s dwindling light.

 

“All but you, so far, dearie,” he said.

 

“No one’s stayed on for the entire journey?” I asked.

 

“Not since I’ve been Captain.” He said.

 

“How long is that?” I asked.

 

“Oh, nearly a century…” he said, “I make the journey every year, hoping to find a soul brave enough to face eternity.”

 

The sun was nearly gone, just a soft, dark orange glow, rapidly descending into darkness, the captain quickly becoming a silhouette against the twilight sky.

 

“What do you get out of this?” I asked, and all I could see of his frightening smile were the few teeth left in his mouth, glimmering in the moonlight as my eyes adjusted to the dark.

 

“I get to die,” he whispered… “I finally get to die.”

 

And just like that he was gone. No splash. Just a million, billion tiny particles scattered by the wind. Gone.

 

The ship sailed on through the night… I wondered what would happen if I tried to jump now, tried to change my mind. I figured it was too late.

 

I thought of how the sunset was always the perfect ending of every story, but for me, it was just the beginning of forever.

 

[Conclusion:]

 

So that is it for today. As you could hear, Danielle’s art took me to a literal place, or I guess a figurative place, haha. But the thing is, her art although so simple and minimalistic, I mean, take a look at this in the cover art of your podcast player app. There are just a few brushstrokes, it’s so simple but it transported me to another place in my imagination and this is the story that came out.

 

Remember to check out Danielle’s art on her Instagram @daniellekrysaart to see more of her awesome art.

Are you an artist with a story to tell?

We'd love to hear your story on the next episode of Art Ink. Check out our submission guidelines to find out how to make it happen.

Become an Insider to Get:

• new Art Ink episodes delivered straight to your inbox

• occasional tips and tricks for artists and storytellers

 

Help me follow my heart

 

For as little as $1 per month you'll get VIP early access to Art Ink episodes & special bonus gifts (like my Artsy Reflections audiobook) that you can't get anywhere else. Plus you'll be helping me make more free stuff - what could be better?

 

 

Did you know Patrons get access to my exclusive art library?

You can download high res, digital versions of every fine art photograph I've toiled over in the past decade, and use it however you like. Yup, really, it's true! There are over 600 images available right now and the gallery will just keep growing.

Art Ink – 2 – Tie-Dyed Eyes – A Sci-fi Story Inspired by Susan Proctor Hume’s Art

 

 

 

 

Links from the Show at a Glance:

 

Artist: Susan Proctor Hume

Title of Art: Untitled Abstract Eye

Artist’s Website: https://susanproctorhume.com/

Instagram: @susan_proctor_humeartist

 

Art Ink Submission Guidelines: rebekahnemethy.com/artinksubs

 

 

Art Ink Podcast Transcript:

 

 

[Intro:]

 

Susan Proctor Hume’s abstract eye was insta-inspiration for today’s episode! Not just because I discovered this piece on Instagram, but also because the story that sprang from it came almost instantly. Listen in to hear a short sci-fi story on the verge of dystopia I called tie-dyed eyes.

 

 

[Art Description:]

 

An abstract gray eye with a black pupil is decorated with tie-dye style splatters of pink, red, orange, and yellow. It’s a monotype print on cotton paper.

 

 

[Story:]

 

“I’m not angry,” she said, but her bright pink and yellow eyes were betraying her. Red exploded in the whites of her eyes like the spray from tiny gunshots, it was if I were spraying her with bullets as I spoke.

 

No one upgraded with TD eyes was capable of lying. If you could successfully lie after the upgrade, you were either criminally insane or a monk, and Sara was neither.

 

The red had completely stained the whites, had begun to envelop the pink, and was bleeding into the yellow, spreading out until the area around her pupils was totally orange; glowing like embers. Her eyes burned into mine. This wasn’t how I wanted to remember her.

 

I tried to hold onto the picture of Sara before, as she had glanced up at me just a few moments ago. She was holding an open book in one hand, and her other was wrapped around a full cup of steaming hot chocolate. As I had entered the café, her eyes left the pages and her face tilted toward me.

 

Those eyes were the ones I wanted to remember: all pink with love and yellow with joy, not the firey orbs that were burning holes into me now.

 

“Sure you are…” I said, “I can see it– ”

 

“In my eyes?!” She glared at me hard, and there was no pink left… no love; just red anger and black fear. “Well at least I have the courage to live in my truth.”

 

I said nothing.

 

I couldn’t say anything that hadn’t been said before. The development of TD eyes had come from a place of love, but that didn’t mean that love was still the main priority. Billie Bobs, the technology’s creator had a vision to reconnect the millennial generation to each other, it was meant to undo the damage that social media and smart phones had done to the development of common social skills.

 

The first group of kids to get injected with the mood bots got a free college education in exchange for their participation in the research. The trend caught on. The kids thought it was cool. Teachers loved the polygraph like qualities built into their student’s eyes with the upgrade and it wasn’t long before the government caught on to the potential for control.

 

Billie Bobs was loving, but he was naïve too, and he was easily bought out.

 

The propaganda was so widespread. The incentive for the poverty stricken to get an education they could never afford was so rose-colored that it reawakened the “American Dream.”

 

Within four years, as the college graduates sporting TD eyes hit the workforce, employers began to favor these applicants over their coworkers. It wasn’t long after that when companies everywhere were paying to get their employees upgraded.

 

Now, you can’t get a job without them, and pretty soon you won’t be able to keep your citizenship without the truth telling eyes… so I was forfeiting mine. No one could convince me that injecting tiny robots that lived in my eyes and gave away all my secrets was about anything other than control. Unfortunately most of the country was blind to that fact, and even more unfortunately, Sara was among them.

 

“It must be nice to know everything about me, it must be nice to keep all your selfish secrets all to yourself!” She started sobbing, burying her face in her hands. Big teardrops pooled on the black surface of the table and soaked into the pages of her closed book, swelling one corner.

 

“Please…” I said, “come with me, we can – “

 

“We’ve had this conversation, I’m not leaving. I can’t just wander around the world with you, no plan, banned from ever coming back, from ever seeing our friends and family again.” Her purpling eyes were wide, pleading, darting back and forth, searching for any answer they could find in my own. That the blue sadness had begun to blend into the red confirmed what I already knew: this was goodbye.

 

“I just don’t understand what’s so goddamned scary about honesty, Tyler…” she said with a sigh, “what are you so afraid of?”

 

It was a question she’d asked many times before, but my answer conflicted with her cultural programming and never satisfied her.

 

“I need my freedom.” I said. I was being honest. I was trying to prove that honesty could exist without force, but it was too little, too late as far as Sara was concerned.

 

Her violet eyes reddened a bit, she threw her hands up in the air, “and you’re telling me this now? You’re telling me this one hour before your appointment?! You let me believe we were going to be ok for so long… how could you?”

 

I wished I could see her sunny yellow eyes one more time before I left, but I was out of time. Once I’d missed my injection appointment, there’d be a warrant out for my arrest. I had to go.

 

As I got up, I leaned over the table, and kissed Sara’s forehead. She looked up at me. Her blue eyes were full to the brim with tears, and I turned away before she could blink them over the edge.

Become an Insider to Get:

• new Art Ink episodes delivered straight to your inbox

• occasional tips and tricks for artists and storytellers

 

Help me follow my heart

 

For as little as $1 per month you'll get VIP early access to Art Ink episodes & special bonus gifts (like my Artsy Reflections audiobook) that you can't get anywhere else. Plus you'll be helping me make more free stuff - what could be better?

 

 

Did you know Patrons get access to my exclusive art library?

You can download high res, digital versions of every fine art photograph I've toiled over in the past decade, and use it however you like. Yup, really, it's true! There are over 600 images available right now and the gallery will just keep growing.

Art Ink – 1 – Flowing in Fear’s River – A Personal Essay Inspired by Melissa Dinwiddie’s Stitch River Yes

 

Links from the Show at a Glance:

 

Artist: Melissa Dinwiddie

Title of Art: Stitch River Yes

Artist’s Website: melissadinwiddie.com

Instagram: @a_creative_life

Get Melissa’s book The Creative Sandbox Way (the 1st 50 pages are free, go download it now, what do you have to lose?)

 

Art Ink Submission Guidelines: rebekahnemethy.com/artinksubs

 

Art Ink Podcast Transcript:

 

[Art Description:]

 

Melissa Dinwiddie’s mixed media painting, Stitch River Yes is one of three paintings that hang in my studio, and it’s my favorite of the three. It’s made of crackle paste, laid thickly upon a small canvas, painted with teal blue watercolor. One thick, deep, wobbly vertical line, resembling a river, was created by removing various bits of the crackle paste along the jagged edges that the medium creates as it dries. The river is painted darker, and it’s more brown than blue.

 

The word “yes,” created with an old fashioned typewriter, is cut out and pasted dozens of times, in a strip going down the right edge of the piece, with fewer words at the top of the line, and a thicker cluster of “yes”es towards the bottom. The words wrap around the painted edge of the canvas.

 

Abstract, cat-whisker-like stitching completes this work. Some of the stitches cross the river, as if holding it together. One tiny, type-written “yes” is pasted atop each stitch.

 

[Story:]

 

The wind was blowing through my hair. Birds were singing. The sun was shining, and caressing my skin with a blanket of warmth on that spring day.

 

I sat on the big rock in my front yard… I’d been planning an inspired day of writing since the day I first set eyes on the natural chair outside my dad’s new house.

 

At first I just took it all in, the warmth, the rustling songs of nature moving and waking up into spring. I looked out at the neighborhood, and the sky with passing clouds. I was feeling… happy… but I still wasn’t inspired.

 

I opened my pink binder full of loose leaf. I stared at the blank page.

 

Why wasn’t I inspired?

 

I wanted to write but there weren’t any words. There wasn’t anything interesting enough to say.

 

“Write what you know,” echoed in my head; the common advice I’d heard and read from all the experts everywhere. I didn’t know anything. I was only 13.

 

What I didn’t realize was that I knew enough… that the experience I was having that day was enough to put my pen down and just start writing.

 

It wasn’t until I started reading Melissa Dinwiddie’s work, many years later, that I started to realize where I was going wrong.

 

Number five of the ten guideposts in her book, The Creative Sandbox Way, is to, “Just start anywhere.”

 

Oh, I could’ve used that advice as a young writer… I shut my pink binder that day 20 years ago without writing a single word. I found it years later, this binder meant for my writing, and it was still totally blank, aside from some yellowing around the edges from all that waiting around.

 

“Just start anywhere.” I’m so grateful for these three words. In fact, just starting anywhere is how I started writing what you’re hearing right now.

 

I had Melissa’s painting and the urge to write about how it inspired me. But how? There’s so much! How could I begin to sort through the journey this piece has taken me on?

 

The river running through Stitch River Yes is like my fear: so deeply etched in my cultural programming, in my human instincts.

 

Fear: this safety precaution, this emergency brake that stops all except your fight or flight instincts and adrenaline.

 

Me: I want to start a podcast!

 

Fear: But what if you’re too busy to release an episode every single week? If you’re not as perfect as a NPR radio show, in quality as well as consistency, well then you’ll just suck, and no one will take you seriously.

 

Me: I want to tell stories.

 

Fear: Who cares about your stories? No one will listen. What could you possibly write that will matter?

 

Me: I want to write stories channeled through the experience of other artist’s work.

 

Fear: You are not qualified to write about art much less interpret it. You know nothing about art. You’re going to look stupid. People will find out how stupid you are when you interpret things wrong.

 

Me: You know what, Fear? You’re getting a bit ridiculous. How can an interpretation of my own experience of something be wrong? I think I’ll take the risk… because even if you’re right and all those things happen… I won’t be any worse off than I am right now.

 

No one can listen to a podcast that doesn’t exist. No one can care about a story that remains unwritten. No one can be an expert without first being a novice.

 

Fear? You still there?

 

 

Don’t worry, he’ll be back. His story doesn’t change. He cares about me, so I hear him out, but I can’t let him chase me away. At the same time, I can’t be afraid to face the possibility that he might be right, either. I have to say yes to the risks and move on, because when I really break it down… the worst case scenario rarely happens, and even when it does, I’m usually still alive after it’s all over, and I’ve likely learned something valuable from the experience as well.

 

I can’t make the fear go away… but maybe I can hold it together, not let it get any bigger, stitch it closed so I can say yes… so I can stay and fight. So it’s not so scary that I have to run from it. So I can flow with the fear, use the current as the force that drives me forward, instead of letting it flood over and drown my creativity.

 

It’s safer to stay on the banks of fear’s river, keeping the dark, dangerous rapids at bay. But if you want to go places… if you want to get there faster… well than the river of fear is much faster than the safe, slow hike you’ll take trying to avoid it.

 

Melissa’s painting is my reminder to fight. To say yes to the scary things that won’t stop haunting my thoughts.

 

I’m saying yes to being messy. I’m saying yes to creating work that might not be perfect. I’m saying yes to facing my fears. I’m saying yes to success AND failure, because one cannot exist without the other. And I believe, the point of life is to experience them both.

 

Besides, the idea of this podcast becoming the equivalent to my pink binder, with those pathetically blank and yellowed pages, is far scarier to me now than any kind of failure could ever be.

 

Because the simple act of doing something… anything, in this creative process is worth it.

 

Why? That’s something Melissa Dinwiddie can explain to you better than me. Her book, The Creative Sandbox Way, is an interactive workbook that I highly recommend for every person… not just quote on quote, creative people, but everyone. Because we. are. all. creative. But since you’re listening, I bet you’ll be thrilled to find out that a lot of the lessons Melissa teaches in her book can also be heard on The Creative Sandbox Way podcast. I will have links to both of these amazing things in the shownotes (which you can access directly from your podcasting app in the description of this episode.)

 

Now that, that’s settled… yay, I’m starting another podcast. Oh wait… I guess now I’ve officially started this podcast. Would you look at that?

 

What do I write? What’s the story? Where do I start?

 

“Just start… anywhere.” I have to remind myself of this every time I sit down to write. Every time.

 

And I guess this story, like our theme song kind of, but not really sings, is a good place to begin.

 

That’s it for today! A huge shout out to Melissa Dinwiddie for being a constant source of inspiration, courage, and self love. And, of course, a big thanks for allowing me to feature her work in this episode. Don’t forget to take a look at the image that inspired today’s story. It’s the cover image for this episode.

 

Find out more about Melissa at melissadinwiddie.com or follow her on Instagram @a_creative_life to see what magical creations she’s making right now.

Are you an artist with a story to tell?

We'd love to hear your story on the next episode of Art Ink. Check out our submission guidelines to find out how to make it happen.

Become an Insider to Get:

• new Art Ink episodes delivered straight to your inbox

• occasional tips and tricks for artists and storytellers

 

Help me follow my heart

 

For as little as $1 per month you'll get VIP early access to Art Ink episodes & special bonus gifts (like my Artsy Reflections audiobook) that you can't get anywhere else. Plus you'll be helping me make more free stuff - what could be better?

 

 

Did you know Patrons get access to my exclusive art library?

You can download high res, digital versions of every fine art photograph I've toiled over in the past decade, and use it however you like. Yup, really, it's true! There are over 600 images available right now and the gallery will just keep growing.

Art Ink the Podcast: An Introduction

 

Links from the Show at a Glance:

 

Ashley Longshore’s Artgasms

Danielle Krysa’s podcast The Jealous Curator

Art Ink Submission Guidelines

 

 

Art Ink Podcast Transcript:

 

I’m a little embarrassed to say that this podcast has been in the works for well over a year… despite my enthusiasm for the big picture of this project, I kept getting stuck on all the details.

 

For instance, I spent hours brainstorming titles until I came up with the. perfect. name. I was going to call it Artgasms, with an equally clever subtitle: short, shriek-worthy stories inspired by art. I thought I was soooo brilliant… until I started Googling and discovered that this kick ass artist I follow, you’ve probably heard of her… Ashley Longshore, actually has a series of tiny paintings dubbed by the same name. I knew my subconscious had absorbed this title, and hid it away for future reference, and I was bummed to find out that I wasn’t quite as brilliant as I thought I was. The title search went on.

 

The next challenge that tripped me up was how I could possibly get other artists to come on the show in the very specific vision I had for them. I was dreaming of a collaborative, inclusive space to share unique perspectives from artists all over the world. I was envisioning a place for art lovers to discover new artists and connect to them through their stories.

 

The only thing I knew for sure was that this was NOT going to be another artist interview show, this was going to be a short story show and I needed artists willing to write and record their stories. The problem was, that would be a huge ask coming from a brand new podcast with no track record. Not to mention, writing and storytelling comes easy to me, but for a lot of people it’s a big drag to have to write. Some artists can barely tolerate having to name their art much less write about it.

 

Even the artists I know who are comfortable writing weren’t putting the kind of stories out that would fit the narrow vision I had for this podcast. I Googled the fuck out of this problem, with no solution in sight. The stories I wanted to tell just didn’t seem to exist.

 

I had plenty of my own stories and my own art to share, but I just couldn’t figure out how to feature other artists without putting them to work.

 

Then I was listening to a podcast called The Jealous Curator, and the host, Danielle, was talking about a bad experience she’d had in her last year of art school. When one of her paintings was being critiqued by other students one of them asked her what her painting meant, instead of giving an answer, Danielle had each of the 24 students go around the room and offer their own interpretations of her painting. When all of them had a chance to guess, they wanted to know who was right. And Danielle said that they were all right, and I quote, “because that’s the point, right?” she said, “It will evoke something different in every single person.”

 

Danielle got a C on that painting, and the low grade was because she didn’t have her own solid interpretation to share with the class. That didn’t make sense to me, and it didn’t make sense to Danielle either, she went onto say, and I quote again, “It’s much more interesting for a viewer to have a physical or emotional reaction to something, whether it’s what you intended or not.”

 

That’s when it dawned on me! I could share my experience of the art I discover. I could do all the work necessary to take listeners on a journey inspired by one piece of art. This was how I could help other artists by connecting listeners to their work through story.

 

Don’t get me wrong… I’d love it if some of you artists and writers out there would catch the storytelling bug and send in submissions, I’d love it even more if you’d share them in your own voice. That’s how I envision this show growing. That’s the big picture. That’s the daydream I’m having right now.

 

But, until we start sketching out that big picture, please keep in mind that the following stories are from my perspective, and my experience of each artist’s work will probably be very different from yours, and may also be in contrast with the artist’s original intentions. What can I say? Inspiration works differently for everyone.

 

That’s why you should also know that you can always access the art that inspired each episode right in the app you’re using to listen. In fact, I encourage it. If you use the Podcast Addict app, like I do, just tap the thumbnail image to see it full size, tap again on the full sized image to access the shownotes, and get links to each featured artist’s website and see more of their work.

 

So… I hope you enjoy my stories AND the art that inspired them. I also hope some of you artists and storytellers out there will soon be joining me, the world craves your voices, so write up and speak up.

 

Download the next few episodes to hear…

 

Welcome to Art Ink.

 

Are you an artist with a story to tell?

We'd love to hear your story on the next episode of Art Ink. Check out our submission guidelines to find out how to make it happen.

Become an Insider to Get:

• new Art Ink episodes delivered straight to your inbox

• occasional tips and tricks for artists and storytellers

 

Help me follow my heart

 

For as little as $1 per month you'll get VIP early access to Art Ink episodes & special bonus gifts (like my Artsy Reflections audiobook) that you can't get anywhere else. Plus you'll be helping me make more free stuff - what could be better?

 

 

Did you know Patrons get access to my exclusive art library?

You can download high res, digital versions of every fine art photograph I've toiled over in the past decade, and use it however you like. Yup, really, it's true! There are over 600 images available right now and the gallery will just keep growing.

Blog Hop Around the World!

So what’s a blog hop?

It’s an ongoing weekly post that’s passed on from artist to artist. It’s an online adventure in discovering new artists and the beautiful things they are making. Last week Jennifer McIntosh, an artist I met in a Facebook artist group, invited me to participate and I’m super excited to be a part of this worldwide art project!

Jennifer is a very talented Australian artist who uses various mediums to express herself including photography, painting, and drawing. She’s currently working on a series of charcoal nudes using her own photography as a reference. Check out her blog hop post from last week to see more photos and get a behind-the-scenes look at her creative process in this series.

Charcoal drawing by Jennifer McIntosh

Charcoal drawing by Jennifer McIntosh

Jennifer’s ability to create such beautiful art in any medium is awe-inspiring! Don’t believe me? Check out her painting gallery and her photography gallery to get a taste of what I’m talking about. You have to see her painting titled “Sacred Cove” and her fine art photo “Reflections,” they are my personal favorites!

 

Now, for you fellow blog hoppers, a bit about my art

1)What am I working on?

Since January 2014 I’ve committed to creating a new photo and 100 words to go with it every week. I’m only 10 weeks away from hitting the 1 year mark! Although I don’t think I’ll be stopping anytime soon.

I’m currently working on a series I’ve titled, “Life’s a Blur.” Each photo in this series incorporates a mixture of motion blur with a still subject. I’d like to think of each photo like a meditation: stillness in a sea of chaos. This is my first journey into long exposure photography and I’m really enjoying the experimentation process.

"The Pocket Watch Between Tick and Tock" Photography by Rebekah Nemethy

“The Pocket Watch Between Tick and Tock” Photography by Rebekah Nemethy

2)How does my work differ from others of its genre?

It’s not often that my fine art photography is “found.” Seeing with my eyes is only half of it, I also see with my mind what something can be and I do my best to make my art into what my mind wants it to be. A minimalist result is what I strive for.

"Steady Heart" Photography by Rebekah Nemethy

“Steady Heart” Photography by Rebekah Nemethy

3)Why do I create what I do?

Why does a bird fly? Because it has wings of course! So, the simple answer to this question could be because my father gave me a camera when I was 14 years old. I love making things, always have, and the camera has been my go-to tool for a long time.

I do have a bigger picture in mind, however. I would love to be able to say one day that my art really contributed to something bigger than myself. That something bigger is animal rescue. Right now I donate 10% of my art sale profits to several animal rescue organizations, and I plan on increasing that amount incrementally until I can share 50% of my profits with the fur and feather babies in need.

Want this hanging on your wall? Click the photo to buy now!

“Fall Spectrum” Photography by Rebekah Nemethy

4)How does my creating process work?

It always starts out with an idea, and most of my ideas are inspired by subjects I come across (this could be anything from a flower to a piece of trash), but sometimes I’m inspired by a color, or as is the case in my current series, a certain technique.

Once I decide on a starting point I start to brainstorm the set up. This often leads me to hours of sifting through my prop drawers and wandering through craft stores for new materials.

Each set I make is different from the last. Building my set is a creative process in itself. Sometimes building the set can take a full day if my idea is very involved.

Lighting is the next step, followed by the actual photography. I experiment with my lighting and composition and reshoot. Light, compose, reshoot, and repeat. I’ll shoot between 250-500 photos over the course of a day or two.

The selection process is next, only the best of the best images make it through; maybe around 10 images. Then each of those photos are color adjusted and retouched at the bare minimum. Sometimes there is additional Photoshop work, but not always.

Then it’s time to write a story to go with every image. Behind the scenes happenings, my feelings about the photo or a related subject, and sometimes even poetry accompanies my photography when it’s published.

Then I start all over again!

Want this hanging on your wall? Click the photo to buy now!

“Autumn in Orange and Blue” Photography by Rebekah Nemethy

 

Continue the blog hopping adventure with these awesome artists on 11/24/14

Kali Parsons

I discovered Kali’s whimsical work several months ago on Daily Paint Works. She paints and draws a variety of subjects, but her florals and owl paintings are repeating themes and they are my personal favorites. Kali creates, and posts, a new piece of art to her blog every single day, and has been since 2011! Her daily blog posts are always about something wonderful/amazing/funny/whimsical that happens in her life.

parsons_kali_blue_flower_stars_painting

“Saluting the Sun” A painting by Kali Parsons

Kali’s actively working on a number of picture book manuscripts and has just recently started working on illustrating a story of her own. When she’s not doing all that, she’s a wife, mother, and a teacher of 3 and 4 year old students with disabilities at a local public school… and yes, they do A LOT of art.

Make sure to visit Kali’s blog to read her blog hop post on 11/24! You can also see what paintings she has for sale over on her Daily Paintworks Gallery

Divinity Chan

I also got to know Divinity’s work through a Facebook artist group, and I’m particularly in love with her “Sensual” series which the painting below belongs to. She is currently working on a series of Chakra Goddesses and getting ready for her first solo show as you read this!

"Ecstasy" A painting from Divinity Chan's Sensual Series

“Ecstasy” A painting from Divinity Chan’s Sensual Series

Since that first encounter with a box of crayons, which inspired youthful works of art all over the walls and furniture of her home, Divinity possessed a desire to spread and share her love of color with the world. Synergy of bold and vibrant colors, and contemporary imagery, marks her artistic style. Divinity’s vibrant images will remind viewers of the joys of life, and spur vision and creativity.

Be inspired! Experience “Awakening the Colors of the Soul” at www.divinitychan.com Be sure to visit Divinity’s blog too on 11/24 to follow the blog hop over to Canada!

 

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