Art Ink – 20 – How Castor Found Pollux – A Short Story Inspired by Hannah Pearman’s Art

 

Links from the Show at a Glance:

 

Artist: Hannah Pearman

Title of Art: Castor, Pollux

Instagram: @hannahandthecosmos

 

Art Ink Submission Guidelines: rebekahnemethy.com/artinksubs

 

 

 

Art Ink Podcast Transcript:

 

[Intro:]

 

Welcome back, my friends, to a brand new episode of Art Ink! I feel like this is a repeating theme in this podcast lately, but the idea for this story was first scribbled into my notebook almost exactly a year ago.

 

I know I often describe my inspirations for stories as if they are that typical instantaneous cliché when I see art; like a lightning strike or the proverbial apple upon Isaac Newton’s head. But the truth is, many more stories are more like a long hike into the pathless woods.

 

I love abstract art so much, but sometimes it’s harder for me to find a true connection to the artist’s intention. Or at least that’s the story I tell myself when I’m feeling insecure.

 

But some artists make it a little bit easier for me when they do one simple thing: when they title their work! I won’t lie; using an artwork’s title is my go-to reference point to help me decide which direction to take my stories. So my advice today for you artists out there, even if you’re uncomfortable writing about your art at this time, at the very least, give your art titles – you’d be surprised how that small thing can help people form a connection with your work!

 

I want to thank today’s artist, for giving me those breadcrumbs to follow in today’s featured art.

 

Hannah Pearman, the artist behind @HannahandtheCosmos on Instagram, creates gorgeously galactic art that blows me out of this world every time I look at any of it. And because her own artist statement so succinctly expresses the why behind Hannah’s work, I wanted to share it with you:

 

“It was under a slightly different, though no less mesmerizing, canopy of constellations that Hannah discovered the transformative power of a paintbrush. Hours of stargazing with her father at home in New Zealand inspired a deep respect for the conversation between control and chaos and, in turn, art became the phrasebook for translating it.

 

Her work is one part longing for the glow-in-the-dark star-covered bedroom ceiling of her childhood, and three parts surrender to the miraculous confluence of choice and chance that makes the human experience so beautiful.

 

Through creative exploration of spectral peculiarities, Hannah is working her grasp around the enormity of the universe in which we’re suspended. Each piece is a whisper of gratitude, a way back home, and a wink to the cosmos.”

 

I don’t know about you, but I connect so much to these 3 simple paragraphs. I too had those glow in the dark stars in my childhood bedroom. And I’m in awe of the idea that such beautiful paintings are the result of control AND chaos… though as an artist myself I’ve experienced the magical balance of that formula in my own work too.

 

Anyway, my friends, please make sure you check out the cover art of today’s episode to get a glimpse of Hannah’s work. But as usual, before we take off into the story segment of this show, I will attempt to give those of you unable to look right now, a glimpse of Hannah’s art crudely re-painted with my words.

 

 

[Art Description:]

 

There are two paintings featured on today’s cover. Both are square and painted on 6×6 inch birch panels, and both were created from a similar color palette: covered in multiple shades of blue, aqua, purple, pink, and white.

The painting on the left, titled Castor, is a bit darker, and uses a bit more navy and deep violet. The center left area in the piece looks like a black hole, and wispy cloudlike tendrils lighten to a medium purple around its edges where they reach out into the brighter areas of the painting in the top third and right half of the panel. This is where more wispy cloudlike shapes of white and pink and aqua swirl into one another. Some dollops of white are clustered around the edge of the black hole, like stars just about to be sucked in.

 

Pollux, the painting on the right, is bit more vibrant than Castor. There is a thick band of navy blue depth in the bottom quarter of the piece, but it quickly transitions upwards into a cerulean blue and then into a galactic cloud of aqua in the right middle area. To the left the blue cloud bleeds into a pink area that’s swirled with white. And above that same blue cloud its wisps seep into the bright white top right corner. A lake of pink in the white branches out into thin, river-like veins. The top left corner of the panel holds a purple galactic cloud that merges with the pink and white below and to the right of it.

 

So there you have Castor and Pollux, and if you thought they sounded like ear candy, be sure to check them out with your eyes, as they are much more beautiful than I could ever describe.

 

And with that my friends, I’ll lead you into my imagination for a little while.

 

This is the story of How Castor Found Pollux

 

[Story:]

 

Castor couldn’t believe what he was hearing; it was him… yet not him at all. Though the voice was lispy, and soft, it was unmistakably his own… just nicer somehow. Like a super nice caricature of himself. Castor imagined himself in an ugly sweater and glasses, then shook his head to unsee that image. It wasn’t pretty.

 

“Nobody loves Castor more than I do,” said the disembodied voice that was simultaneously him and not him.

 

Now shit was starting to get weird, Castor thought. He looked up from the handheld recorder on the desk and locked gazes with his shrink, Dr. Shelly. His eyes were wide with surprise, but hers were deadpanning him in an I-told-you-so kind of way.

 

“And, why do you think that Carl?” past Shelly asked through the speakers.

 

“Well because I’m the only one who forgives him for everything.”

 

“What do you forgive him for?” And then there was click, and the white noise hissing through the air suddenly went dead.

 

“Wait, what did he say?” Castor was at the edge of his seat, ready to spring up from the anticipation. Only seconds ago he’d barely believed Dr. Shelly’s claims, but the proof was undisputable. Someone lived inside of him… a stranger… but the scariest part was that he had absolutely no recollection of the conversation that had apparently happened just minutes ago.

 

“Nothing, that was when you came back.”

 

It wasn’t until that moment that Castor realized his jaw was hanging open. He closed his mouth and swallowed. His impulse to deny the diagnosis didn’t go away, but his faith in that belief was rapidly diminishing with the evidence still echoing in his ears.

 

“I recommend you start recording yourself,” Dr. Shelly said, “I suspect there are more—”

 

“More?!?” Castor’s eyes were bulging again, and his mouth hung open wide, as if he was a toddler waiting for a spoonful of applesauce.

 

“Well, I don’t know for sure but in most recorded cases of dissociative identity disorder there are usually more than one alter.

 

The gaping hole in Castor’s face transformed as his lips pulled into a tight, thin line. “Ok,” he forced through gritted teeth, “but why do I have to record them? Isn’t that your job?”

 

“I will continue to do so, yes, but the truth is that some of them may not be willing to come out in front of a stranger. What you’re able to discover on your own may help us to save all the time it would take for me to build up trust with these parts of yourself that have been repressed.

 

“Once we determine your triggers we’ll be able to work through the trauma that’s causing them, which will eventually help you to stay present and prevent future instances of memory loss.”

 

Castor nodded. Looked down.

 

“You’ve been through a lot of trauma Castor, your mind is just doing its best to protect you.”

 

When he looked back up again, Dr. Shelly was pushing a slip of paper across her desk. “Here, that’s my recommendation for a mic. It’s wireless and you can record right to your phone.”

 

Castor nodded again and reached for the paper.

 

“The next time you have one of your memory blips, listen back, and maybe you’ll get an answer to what happened.”

 

Castor left Dr. Shelly’s office without another word. He drove to the electronics store in silence, but in his head that strange lispy version of his own voice was playing on repeat. Could it be possible that there were more “alters” trapped inside of him? How many of him—them were there? Would he really be able to capture them with this plan?

 

It felt so ridiculous to Castor. He may as well have been purchasing equipment for a ghost hunt… why didn’t he get a night vision camera too so he could start a reality show and entertain people while he was at it.

 

He found the tiny microphone that Dr.Shelly had recommended, and as he brought it up to the counter, Castor felt suddenly embarrassed as if the cashier could hear the slew of secrets circling through his head. But luckily, the teenager who checked him out was more interested in her own phone than in anything Castor was buying, and she only glanced at the packaging long enough to find the bar code.

 

Castor couldn’t get out of his own head, though, despite the momentary relief of not being judged by anyone, because he was too busy judging himself. Was this what life had come to for him? On his way to hunt his own inner demons armed with nothing but a Bluetooth microphone?

 

Suddenly, another thought occurred to Castor, one that worried him far more than the humiliation of playing ghost hunter. Did this mean that he was crazy? Would they commit him if he couldn’t find and extinguish the people trapped inside him?

 

When he got home a few minutes later, Castor had already decided that he couldn’t let that happen. He dumped the plastic shopping bag onto the couch, and when the receipt swayed down through the air like a falling feather, a realization clicked into place. It wasn’t just his memory loss that now made sense, but all of those random charges to his credit card could be explained away by this diagnosis too. Castor ripped open the packaging and connected the mic to his phone, then clipped it to his shirt.

 

When he hit record all of his remaining energy drained out of him.

 

He considered going to sleep but knew that he’d just end up restlessly awake before the sun was up if he went to bed now. So instead he dropped onto the couch, turning on some mindless entertainment he’d already seen dozens of times. And that was the problem, because there was nothing to occupy his mind on the screen, and so he kept ruminating on Carl’s and Dr. Shelly’s conversation – before his mind ran off in worse case scenario tangents (like what if there was an evil, murderous sociopath that’d been regularly taking over his body) before circling back to the elephant-sized fact that there were more people he didn’t know hiding inside of him, just waiting to use him and abuse him just beyond his awareness.

 

Castor grew uncomfortable and turned away from the TV. It was growing dark outside and the multi-colored lights from the screen flickered around on the ceiling. His eyes blinked slowly… until they fell closed a final time.

 

***

 

Castor is racing down the winding mountain road, stirring up freshly fallen leaves as he passes. Both windows are down and the cool dry air is dancing his shaggy hair into a frenzy. The whooshing air competes with the pounding music that’s blasting through the Mustang’s souped up speakers.

 

He looks over to the seat beside him, and the expression on PJ’s face is like a zap of lightning to his memory. Looking at PJ, his twin, is like a looking into a carnival mirror. They’re identical, but PJ’s personality twists his face into a goofy mask. PJ is the smiley mask to Castor’s frowny one. But this isn’t real, and Castor knows that. He knows he’s dreaming, so he let’s go of the wheel and leans back as he stares at his brother long and hard. Right now PJ is sticking his tongue out like he’s at a Kiss concert, one hand out the window letting the wind fly through his fingers.

 

Castor examines every inch of Pollux James’s face: the dimple between his cheek and chin, the lines being laughed around his eyes, the way the dappled, rapidly changing orbs of sunshine dance through the trees and onto his face. PJ will bob his head once… twice… three more times in slow motion before Castor has to close his eyes for impact.

 

Shutting his eyes used to wake him up, but now it just dulls the one sense. Soon the impact will explode into his ears: the squealing, the crunching of car… and bone. After two agonizing seconds of very real pain he’ll wake up. And though his eyelids curtain the scene, Castor’s memory replays it, only a bit more dully, in time with the orchestra of senses he can’t turn off.

 

Finally, the pain comes, sharpening to unbearable, before fizzling out into the now comforting pins and needles that vibrate across every bit of his skin. He stays still until it passes. A few minutes later he finally turns to look at the clock; it’s 4:44 a.m.

 

***

 

Castor came to and the bright light was jarring. He was doing dishes? The last thing he had remembered was waking up from his night terror, and now it was well after noon, judging by the angle of sunlight being reflected off of his stainless steel sink. He dropped the sponge and the silverware he’d been scrubbing back into the sink and turned off the faucet.

 

He looked down to see that he was still in his clothes from yesterday and he was relieved to see the tiny mic still clipped to the front of his shirt. Then Castor swept his gaze over the countertop in search of his phone… and there it was. He grabbed it and sat down as he navigated to the recording app.

 

The oven clock confirmed what Castor had suspected, it was 2:32. He quickly did the math to figure out where he should start listening. He’d been out for nearly 10 hours. The app was set by default to start recording a new mp3 file every hour on long recordings; it was a failsafe to protect against the occasional glitch. But it also made it easy for Castor to count back to the file he wanted to start at.

 

He took in a deep breath and slowly let it out. Then he leaned over his phone and hit play.

 

All of Castor’s anticipation seemed to be for nothing, though. Listening to his recording was like listening to one long butt-dial. He heard rustling fabric against the microphone, a random thump here and there, and lot of him just breathing.

 

After the first half hour Castor got up to brew a pot of coffee. By two hours in he’d drunk the whole pot and had to put his hands flat on the counter to stop them from shaking.

 

He didn’t know what he’d been expecting, but sitting around intently listening to absolutely nothing was not how he’d envisioned this day going. But it wasn’t like he had anything else to do.

 

Castor worked from home, though to say he worked at all since the accident was an absolute joke. It’d been six months. Six months since his best friend died. Since he’d killed his other half. Castor shook his head at that, Dr. Shelly wouldn’t be happy to hear him say that. But he hadn’t said those words aloud since the first time she’d chastised him. Thankfully she couldn’t hear his thoughts, because he couldn’t think about PJ without feeling the inevitable guilt that was now attached to their last moment together. There was no doubt in Castor’s head that his brother would still be alive if it wasn’t for his own negligence, and no amount of therapy would ever change that.

 

Suddenly a voice pulled Castor from his thoughts, “So you think you’re better than us, is that it Carl?”

 

“That’s not what I said, Ralph.”

 

“Then what were you trying to say? Because it sounded a lot like you were glorifying yourself—and putting the rest of us down.”

 

Another voice came through, “Or maybe he was just trying to get Dr. Shelly to warm up to him. Got news for you Carl – the little blue pill she makes you swallow isn’t going to discriminate, you’ll be gone too, despite your godlike forgiveness.”

 

“What does it even matter if we’re all going to die anyway?” That was a new voice too; slow and subdued.

 

“Why be shy if we’re all gonna die?!?” Yet another caricature of Castor’s voice came through the speaker, this one amused. “Heh, heh,” he snickered.

 

A low growl began, and it quickly escalated until a loud thump concluded it. It was like someone had brought their fist down upon a solid surface; the counter or Castor’s desk maybe?

 

“Calm yourself, Ogre,” someone chastised, it sounded like Ralph, “we’re not going to die guys… Steve, stop being such an asshole!”

 

“I dunno, maybe Steve’s right about the pills… what other outcome could there be… we knew we were at risk the moment we saw the doctor.” The melancholy one said.

 

“Big belly Shelly,” the amused one snickered.

 

“Why do you think I was trying to get on her good side, fellas? I wanted her to know that we’re here to help Castor.” Carl sighed.

 

“Maybe we need to disappear for awhile—make her think we’re gone so she’ll lay off for a bit,” Ralph said, but he didn’t wait for a response before he continued. “Yeah, that’s what we’ll do. Do you all think you can keep your mouths shut for the next couple of weeks?

 

“Oh that’s a great idea… let’s just repress ourselves why don’t we? Why don’t we just get ahold of a sleeping pill ‘script and off ourselves right now?” Steve deadpanned.

 

“How could you suggest such a thing?” Carl said.

 

“Stay away and our souls may stray.” It sounded to Castor like the jokey poet was agreeing with Steve in his own cryptic way.

 

“Andy’s right,” the sad sounding one drawled, “if we stay away too long, we’re likely to disappear on our own.”

 

“GRRRRRR!!!” Orge growled in agreement.

 

“Don’t worry, Tom, we won’t stay away long enough to let that happen. The point isn’t to off ourselves,” Ralph argued, “it’s to get her off our backs until we can give Castor Pollux’s message.”

 

Castor gripped both arms of his chair. “Pollux?” he whispered.

 

“It’s impossible,” the sad one sighed. “Castor never remembers his dreams… at least not the good ones… and he never remembers us.”

 

The white noise of the recording rolled on into infinity after that, but no one else spoke. Castor sat expectantly for the first few minutes, waiting for more, but eventually his mind wandered off to run in its own circles.

 

He’d counted six distinct voices in that recording, including the growly one they called Ogre. Six people inside of him; people with the ability to shut him down, put him on standby so they could have their own little private pow-wow. It was frightening to think that they had that much control over him… even more terrifying to consider that they’d been hiding inside of him all this time.

 

But they were him, according to Dr. Shelly. That they appeared and acted separately from him was just a defense mechanism his body had implemented in order to help him deal with the trauma of losing PJ.

 

PJ… they’d said they had a message from him.

 

And what did they mean when they said he couldn’t remember his dreams? He had the same damn dream every night—a dream he wished he could forget.

 

Castor suddenly felt torn. His next move should be to send this file to Dr. Shelly… but they didn’t trust her… and if they were really just a part of him… then should Castor trust her? It looked like he was outnumbered 6 to 1.

 

But who was Castor kidding? That was just a convenient justification. Because if those strange little voices claimed to have a message from his brother, then they were right about one thing: he had to keep them alive until he got it.

 

Castor marched over to his computer. He placed his phone within hearing range, although nobody was talking at the moment, there were still hours of recordings for him to listen to and so he let the soft static play on. Then he turned to his monitor and pulled open a browser window.

 

“How to… remember… your dreams,” Castor said as he typed into the search bar.

 

He scrolled through the list of results but quickly became frustrated with the answers. He didn’t have time to sit around and meditate on his intention and write in a goddamned dream journal.

 

“How to remember your dreams quickly,” Castor tried, disappointed to see that many of the same websites were coming up. In the preview text of one new site, the author suggested drinking massive amounts of water so that your bladder would naturally wake you at the end of your dream cycle. That sounded annoying, and Castor suspected he was more likely to just piss the bed than to wake up and remember his dream, but at least it was something he had time to try.

 

A familiar low growl rose up into the air, alongside a fumbling sort of rustling made up of soft thumps and swooshing static. Castor lifted his phone to his ear.

 

“Hey fellas, look what Ogre found!” Carl called out.

 

“What is it?” Tom asked.

 

“It’s a microphone.” Ralph said.

 

“Well hallelujah,” Steve said sarcastically, “our oppressor is listening… say hello to your girlfriend, Carl.”

 

“Big belly shelly?” Andy asked, but his tone was lacking its usual amusement; he just sounded afraid.

 

“I don’t think so, fellas… well maybe, eventually, she’ll hear it, but we’re home, not at the doctor’s office.”

 

“You’re right, Castor must be recording this himself.” Ralph realized. “Castor if you can hear us, do not give Shelly this recording. You need all of us to go home.”

 

“Calea tea-uh! Calea tea-uh!” Andy said.

 

“Oh, of course, the Calea tea.” said Carl.

 

“We put it in cupboard.” Steve continued, and for once it sounded like his dry humor might have evaporated.

 

Castor was up and walking towards the kitchen before Tom could say, “You should drink a cup right now.” And he sounded almost happy.

 

“You should drink many cups,” Ralph added, “it’ll help Pollux to connect with you tonight. He’s not dead, Castor, just out of touch.”

 

Ogre barked out an agreement.

 

Castor yanked at the cabinet door in front of him, and there it was. A giant bag of tea leaves labeled “Calea Zacatechichi.” In smaller letters beneath it said “Mexican dream herb.”

 

How Castor had not noticed it was a testament to his recent tunnel vision. The bag was right next to his coffee, which he used daily. He opened the tea and sniffed; it had a peppery smell. May as well give it a go.

 

First the first time in a long time, Castor finally felt like he had a purpose. Interesting to note that his dissociative identities had been the ones to cheer him up. Using the technical term for his “condition” brought him back into the doctor’s office; Dr. Shelly would have a field day with that little tidbit. She acted professional and all that, but there was a gleam in her eye when she’d diagnosed him. Castor guessed conditions like his were probably rare, so he couldn’t really blame her. But he also couldn’t help feeling resentful about being her lucky little lab rat.

 

He put the bag down and glanced down at his phone to see if the play head was still moving. The boys had been silent for a while… but the seconds were still ticking away— he guessed they were done for now. Maybe for the day. But you never know, so Castor let the silent file play on, as he made his way to the sink to fill the teapot.

 

Castor took a sip and scrunched his nose. Despite it’s appetizing smell, the stuff tasted bitter. He had no idea how he was going to get down a single cup of it, let alone several.

 

Maybe some lemon would make it better? He squeezed a hefty splash from the tiny bottle he kept in the fridge. He tentatively took a sip, and it was still awful. Sugar it is then, he decided, but even after four heaping spoonfuls, though improved, it was still barely tolerable.

 

Over the course of the next few hours, Castor drank as much of the nasty tea as he could while listening to the remaining audio he’d recorded the previous day. Aside from the occasional rustle though, nothing more came from his six new friends.

 

Castor questioned himself at that thought. Could they be his friends if they were actually a part of himself? It was strange, but now that he was aware of them he felt a sort of attachment to them. The thought of handing them over to Dr. Shelly didn’t sit right with him. They were afraid of her, because she wanted to get rid of them. He couldn’t help but empathize with them. What if it were him who was to be annihilated from existence? He was sure he’d feel the same.

 

He was glad he had some time to think things through before his next appointment. Time to get to the bottom of what his new “friends” were trying to tell him. Castor wasn’t sure he totally believed everything they were telling him. And some of it most certainly confused him. But knowing that Pollux still existed somewhere and that there was a chance he’d be able to talk to him again burned a flame of hope in him so bright, that he could easily look past all the weird nonsensical things he’d overheard.

 

Castor hadn’t had a memory lapse since the previous day. And he was grateful, especially since he was unable to record and listen simultaneously. After he’d reviewed the last bit of white noise he’d captured, he started a new recording.

 

It took such a long time for Castor to dilute the caffeine from all the coffee he’d drunk, but eventually he began to get sleepy. He crawled into bed and drifted away. When he saw his brother, alive and well, and reaching toward him, Castor finally felt like everything was going to be ok.

 

***

 

Dr. Shelly was still riddled with confusion, when the detective came by to drop off Castor’s phone. Though she was nodding her head as she took it from him, she wasn’t registering any of his words… she was still seeing the image of Castor’s empty, rumpled bed in her mind’s eye. The police hadn’t found a body in that bed, only what Castor had left behind: the tiny mic she’d recommended and his phone. No one who went anywhere willingly left their phone behind. You didn’t have to be Nancy Drew to know that. Dr. Shelly forced a smile as she shut the door behind the retreating officer.

 

It saddened her to no end that she had been the one to report Castor missing; that he had no friends or family who’d noticed he was gone. And now, after the police had taken their time coming up with nothing, they were finally letting her have her turn.

 

Dr. Shelly was no detective, but she knew that the longer a person was missing, the less likely it was that they would be found. That’s the only reason she opted to listen to the latest recordings on Castor’s phone first, despite her preference to listen to them in order.

 

She pressed play on the last file recorded. It took awhile to get to it, but Castor’s voice finally came through. And, as calmly as she’d ever heard him, he said, “Oh yes, Pollux, I’m so ready to come home.”

 

 

 

[Conclusion:]

 

Well, my friends, I hope you enjoyed my modern twist on the Castor and Pollux story. I actually didn’t have a clue in the world as to who these two were until I did a little Googling. Castor and Pollux are twin half brothers from Greek and Roman mythology. For our purposes, we’ll stick to the Greek version of the story.

 

While Castor and Pollux shared the same mother, they had different fathers. Castor’s father was the King of Sparta, which made him a mortal, but Pollux was a demigod whose father was Zeus himself. One day, when the twins were fighting side by side in battle, Castor was struck with a lethal blow. In order to save his brother, Pollux asked his father if he could share his immortality with Castor, which is how they both ended up transforming into the two brightest stars in the Gemini constellation we still see today, to live together eternally in the night sky.

 

Upon further research, I also discovered that Castor’s star is not just one star, but actually six stars in one. And that’s when I stopped researching and started writing.

 

There is much more to discover about Castor and Pollux’s story, should you want to pursue it further, but I just wanted to give you a glimpse into what stuck with me as I rewrote my own modern take on how the Gemini twins found each other in the sky.

 

So before we say goodbye, I’d like to send big virtual hugs over to Hannah, who was so kind as to share her art with us today, and who gave me the breadcrumbs to follow that eventually led me to writing this story. Unfortunately for you, both Castor and Pollux, the paintings, are both already sold, but there is plenty more cosmic eye candy available for your viewing and purchasing pleasure over @hannahandthecosmos on Instagram. So definitely check that out whenever you can.

 

Thanks so much for listening, my friends… I’ll catch ya on the next one.

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Art Ink – 13 – All The Other 9/11s – A Short Story Inspired by Dave Conrey’s Art

 

 

 

Links from the Show at a Glance:

 

Artist: Dave Conrey

Title of Art: Infinite Possibility

Artist’s Website: daveconrey.com

Instagram: @daveconrey

Art Ink Submission Guidelines: rebekahnemethy.com/artinksubs

 

Email Bek at bekah@rebekahnemethy.com for any feedback

 

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Art Ink Podcast Transcript:

 

[Intro:]

 

Hello my friends, welcome back to one of my favorite places to be, digging into the creative zone that is this podcast. Back when I was in high school I always thought I’d be a writer, it was the thing that all of my teachers, family, and even many of my friends, expected me to be. I wrote a little bit of fiction back then, but at this point, I’m sure I’ve written more fiction for Art Ink than I did throughout all of high school and college.

 

I have to admit that these most recent experiences are so much more satisfying than any fiction writing I did back then. Maybe it was because that back then I still believed in the need to have gatekeepers validate my work, and possibly it was also the fact that I wasn’t equipped with the knowledge I have now about how to push through the excuses many of us make about why we don’t create the work we feel compelled to do, but I also know that reading the words aloud does something to manifest these stories in way that just feels more complete. Which is really interesting because a few years ago speaking into a microphone seemed scarier than skydiving without a parachute… and now… now it might be the thing that most motivates me to write; so I can make the words come alive.

 

This is one of the stranger stories I’ve written, and I think that’s why I love it so much. It has many layers to it, and I’ll discuss some of that at the end of this episode, but first, I’m sure you’re dying to know whose artwork is gracing the cover of today’s show.

 

Dave Conrey is a well-rounded artist I’ve been following for many years. He’s also a designer, a writer, a fellow podcaster, and an advocate for artists. Before I even had the vagina to call myself an artist he was one of the voices in my head, I binged on all of his podcast episodes, read all of his books, and I soaked it all up like a parched, shrunken sponge.

 

Dave is one of the few artists out there who has helped me to realize that I’m not alone in more than one way. I’m not the only one who has a passion for multiple forms of creative expression. I’m not the only one who struggles through this curvy path of choosing to live the most creative life possible. I’m not the only one making it all up as I go along, taking the risks and rewards one day at a time.

 

I used to be really afraid of change… who am I kidding,

it still terrifies the fuck out of me… but it also leads to some of the most fun and fulfilling moments of my life. Things that, many times, are totally unexpected and couldn’t have happened any other way.

 

I’ve watched Dave’s evolution with awe. Back when I first started listening to him, he wasn’t making any visual art at all, at least not publicly. I mean, he was creating plenty of content, which is still art in my book, but I’m talking about watching Dave’s Instagram erupt with design and mixed media art. His work is edgy and avant garde. I’m totally not an art critic and, in all honesty, I’m not sure I used that term right… it actually sounds a bit pretentious… and whatever the opposite of pretentious is… that is what Dave’s art is to me. It’s messy, but in the most visually appealing way possible. It’s a bit grungy. I love it!

 

So let’s get into the beautiful mess that is the piece of art that prompted today’s story… shall we?

 

 

[Art Description:]

 

There’s so much to this mixed media piece that I have to stress that you take a look at it yourself whenever you can. If you can’t see the cover art in your podcast app then check the episode description for the link.

 

One of my favorite things about abstract art is how perspective can change so much about what it becomes to each individual viewer. What I see may not be what you see. That’s also a disclaimer.

 

In the middle of this painting is a deep sapphire blue wave, at the very center the blue is more muted, and this is where the stacked words “INFINITE POSSIBILITY” stem from, stretching across the right center of the piece. Below the words the blue deepens and blends into a couple of thick black strokes, with thin streaks of yellow, that swoop down and to the left. Slashing across the top of the blue black wave an orange streak underlines part of the word, “POSSIBILITY,” and curves sharply down to the right corner. Bits of black peek through the orange, it’s almost like a creature of some sort is hiding behind it, gripping it with a single monstrous hand. A pink and black animal of some sort, a made up one for sure, because I can’t name it, rides atop the orange stroke beneath “BILITY.”

 

So heading clockwise, from the bottom right corner, we’re back in those black strokes that led down from the blue center and then end in two circularly stroked patches of pink. The top-most pink paint looks like half of a record, brush streaks thin the paint in the center of the stroke revealing the blue and black beneath. To the bottom left of the pink half record is a larger pink section shaped like a squished half moon, and inside that squat moon is a black silhouette, it could be the reflection of a surfer or maybe a dancer.

 

Still heading around the clock, skipping over a large unpainted area of white at 7 o’clock, we land on the bottom of a backwards C of orange paint that stretches from 8 o’clock to 9. Jagged, blocky veins of black paint cover much of the orange and lead both down to the pink and back up to a bold red spray-painted circle dripping blood like a bullet wound. A fine mist of red speckles the pale blue and pink below the red wound and also spots the orange C and the white space running down the left side of the art.

 

At 9 o’clock, just to the left of the red, orange, and black is another jagged black line, thicker than the veiny lines below, that leads up and curves to 11 o’clock where it ends at an angry looking black eye. Orange fills the space beneath half of this eye, and to the left a thick downward stroke of orange fills the top corner.

 

Remember we’ve been circling around this deep blue center area, and so at 12 o’clock, just above where the sapphire blue comes to a point and to the right of the eye, yellow and green paint fill a space that, along with the eye, looks like a short, pointy elephant trunk that stretches diagonally across the page. The forehead area of the elephant’s face is muted blue and white at the top center.

 

Following the same slightly diagonally line created in yellow and green, 3 squares of pink are situated from forehead to center trunk. A thick pink stroke lies parallel along the rest of the trunk downward to the word “INFINITE.” Black lines edge some of the pink squares and are scribbled through the thicker stroke. To the right of the pink paint, more black lines, strokes, and dots lead down to the words. They remind me of dominos.

 

Dave’s message to the artist is worth quoting. Along with his Instagram post of Infinite Possibility he wrote: “If you knew you could not fail, what would you go after? What dream would you chase down? At the crossroads of purpose and passion exists infinite possibility. Now, in order to realize that infinite possibility, you have to drive your ass down to the corner of hard work and due diligence.”

 

I couldn’t agree more with Dave’s words. Well most of it… I don’t really think it’s supposed to be hard… we just believe it’s supposed to be, so it is.

 

I do however believe in Infinite Possibility, and along with those words and some of visuals my perspective pulled from Dave’s creation, another story was born. I call this one, All the Other 9/11s…

 

[Story:]

 

September 11th, 2001 – 12:02 pm

 

Dakota: I woke up late, feeling strangely heavy. Now there’s… this… fascinating presence inside of me. Clear words that aren’t mine; memories, too, vivid ones. I’m just going to let it all out, before it goes away. I don’t have much time.

 

In all 123,321 universions I’ve experienced, this is the first time I’ve felt the urge to write it all down—well, write as much of it as I can, anyway, in the mere 24 hours I have before I’ll leave this body and drop into another one.

 

No, this is not like the exorcist or the body snatchers, I’m not some kind of demon or alien possessing Dakota’s body. I am still Dakota, hence the sudden urge to write, but I am also a different entity entirely. A wandering soul, you might call me. And, today, Dakota has access to all of my memories, and I have access to hers. You could see it as a sort of partnership. I can’t force Dakota to do anything against her will, and honestly, most vessels I drop into don’t even recognize me as more than an odd feeling… which is another reason we are furiously writing this down. I’m thrilled that she can sense me so clearly and honored that she’s so interested in my life and will do my best to answer her questions.

 

Dakota: Who are you? Do you have a name?

 

Hmmm no… I don’t often get the chance to communicate with my vessels, so I guess I’ve never had a need for a name. I take on the name of the vessel I’m traveling in. Today, I am Dakota.

 

Dakota: Why are you here? What’s your mission… ok this is weird because we’re in one mind, so I get it, but I’m having a hard time putting your experience into words.

 

My mission is the same as the human mission, except it is much easier for me, and that is simply… to be.

 

To use a popular movie in this universion to simplify my existence, my life is like Groundhog Day, except I’m in a different body and a new universion every 24 hours. So, as of today, I’ve experienced 123,321 completely unique versions of September 11th, 2001 here on Earth. Infinity is hard for most of us to fathom, but even this many days, which amounts to over 300 years of your linear time, is so much more miniscule than our human mind can perceive. I wish I could share the experience of every day with you, but I don’t have the time to even think it all, and no reader would have the time to read it, so I’ll give you the highlight reel.

 

Dakota: What’s the most memorable universion you can share?

 

Universion 626, for sure.

 

The most beautiful moment I’ve ever experienced was on Miami beach, just after sunset. The waves lapped up onto the beach and sparkled pink as it hit the sand. As we walked along the saturated shoreline, the sand beneath our feet illuminated with every step we took, the neon pink glow spreading over our feet and up our ankles if the water had washed over them recently enough.

 

We’d swum out into the ocean after dark. Drawing messages to each other underwater, the plankton making it look like our fingers were magic wands.

 

After she’d drawn me a heart I grabbed her hand and pulled her to me. In many universions there is a lot of symbolism surrounding the way sparks and fireworks and light, in general, fly when you experience love… but this was the first universion where this manifested literally. Our kiss felt electric, and even with our eyes closed, the pink sparks shone through.

 

We were married for 11 years, but she told me just before I left, that she thought it was the best date we’d ever had.

 

Dakota: Wow, that’s so beautiful. The bioluminescent plankton here are bluish. Are there many variations like that in these alternate realities? The same but off just a bit in color or… anything else?

 

Oh yes, colors can vary greatly… sometimes they don’t exist at all.

 

Dakota: What do you mean? Were you inside of a blind person? That’s what it seems like… what is that? How can we explain that?

 

The memory you’re experiencing is of a universion where humans didn’t see with their eyes but with a sort of extra sensory perception. We are all made of light, Dakota, and the way we perceive of that light here is through color, but it’s possible to experience light in all sorts of ways.

 

Dakota: It’s like you’re… feeling… colors? That’s so weird, I-I can’t explain what you’re showing me.

 

Humans here aren’t built to perceive in this way, writing about it would most likely just confuse your readers.

 

Dakota: Yeah, you’re right. Have you ever told anyone else about your travels? Am I the only one?

 

Only once, in Universion 9,382. I was an 11-year-old girl named Sarah, camping out with my best friend Penny in her backyard.

 

“Aliens or ghosts?” Penny asked, holding up two books. The flashlight she held between her knees pointed straight up, making her look ghoulish: sunken, shadowed eye sockets and glowing red nostrils. The books were nothing but two rectangular silhouettes, but we’d read them enough that I knew their covers by heart. Scary Stories to Tell in the Dark, with the creepy, drippy black artwork, and Alien Abductions with the typical grey alien with big, black pupilless eyes and a lightbulb-shaped head.

 

“Actually, I have a new story.” I said.

 

“You do?” Penny leaned forward, dropping her hands and placing the books on the tent floor. Only the skin beneath her chin was illuminated and a few statically charged wisps of highlighted hair, as her face plunged into darkness.

 

“Can you keep a secret?” I asked, and the oval shadow of her face bobbed up and down.

 

Dakota: Penny asked me… uh, I mean you if you ever wished you could stay?

 

Yes. I’d asked myself that same question countless times, but I stumbled with the sudden pressure to provide an honest answer. Maybe a few times I’d wanted to have more time, but the truth was that I get to live more presently than my vessels do; most of the people I drop in on have a plethora of problems and worries. Usually they are so wrapped up in their everyday patterns that they rarely notice the unique beauty of each new day, but I can’t avoid the… nowness of it all. I still feel their pain, but because it’s all new to me, I experience it differently. I’d hate to let life become so dull and my body so numb, which I suspect is what would happen if I spent too many days in any one body.

 

But what I finally said to Penny was, “No,” simply because she was still very much present, as most children are in her universion, and she wouldn’t have understood the adult human condition until she experienced it herself.

 

Though, in other 9/11s, there were several universions that appealed to me.

 

Dakota: Any particular one come to mind?

 

Yes. Universion 111,111. It was not that the memory of that September 11th was exciting or anything, it was actually quite a mundane day; a typical Saturday with my father in Central Park playing dominos.

 

It was the society that had developed within this universion that was so much better than most.

 

Can you imagine a unified Earth, Dakota? An entire planet without borders? Without a need for property or money? A place where unconditional love prevails and everything is shared? Without war? Without slavery?

 

Dakota: There’s no slavery in the US anymore.

 

Not of the human variety, well not legally. But billions of animals are enslaved, are they not?…

 

Can you imagine a planet of humans who love and share and support each other? Who live with the Earth rather than off of it. This was one universion I’d like to have stayed in.

 

Dakota: Can you change things? I mean, by communicating with me, by helping me write all this down… we’re changing things here already aren’t we?

 

Do you feel that I am forcing you write this down?

 

Dakota: No, but I feel an urge that couldn’t exist without your being here, without your inspirational knowledge. Are there more of you?

 

Yes and no. That’s a hard question to answer. I’ve never met anyone else like me, but since I travel alone, I wouldn’t know if I had met another observer. And that is the key phrase here. I observe. My vessels have complete free will. I cannot impose my desires on anyone I visit. And only those rare people like you, who are open to communication, ever know I’ve dropped in at all.

 

Dakota: Isn’t it scary not having any control? Has there ever been a universion you wished you could leave immediately?

 

There have been a few. Joining a vessel who is either experiencing or inflicting pain is not pleasant. But even the darkest days have had their slices of beauty.

 

Dakota: The silence is so peaceful, the space in between the drip, drip, drip. I look up from the pool of rippling red, where another drop of red is swelling at the tip of a transparently gray toe.

 

Drip.

 

Silence.

 

Drip.

 

Silence.

 

I follow the thin red line upwards. As my gaze moves up the pale leg, my eyes move faster, trying to take in the whole scene so as not to stare too long at any one gruesome detail.

 

A white hospital-gown-looking garment stained dark red at the center, splattering outwards, the speckles growing finer the further they reach.

 

Though her face is concealed by her drooping head, I know what it looks like.

 

Flashback: Blue, darting, terrified eyes.

 

Flashback: Red, full quivering lips. They contract into a chapped, wrinkled O. “No, no, no, no,” they plead.

 

Flashback: A hand… my hand? No, but it’s coming from my body, holds the girl’s head up by a fistful of her blonde hair, the other pushes a pistol to her gut.

 

Dakota: You killed her!

 

Yes.

 

Dakota: Wasn’t there any way you could stop it?

 

No.

 

Dakota: Do you choose the people you drop in on? Why would you want to feel what it’s like to-to murder someone?

 

Because it’s part of the human experience.

 

Dakota: Well it wasn’t part of my human experience… until you came along. I don’t know if I can handle any more memories like that.

 

Well it’s nearly time for me to move on anyway. Do you have any other questions?

 

Dakota: Yeah, what’s with the numbers I keep seeing? All those 1s…

 

I dropped in on a mathematician once. They were such a nerd for numbers. One of their favorite equations was 111 x 1,111 = 123,321, which, as I told you when I first arrived, is the number of days I’ve experienced here on Earth. 1… 2… 3… 3… 2… 1.

 

Dakota (September 12th, 2001):

 

I fell asleep quite suddenly… I don’t even remember going to bed. This all seems so much like a dream. But unless I was sleep writing yesterday, it wasn’t.

 

I slept all morning, and though I have a deadline for a book that’s due later this week, I just have to get this out while it’s fresh.

 

The nameless entity that weighed me down is now gone. I feel empty. It wasn’t the kind of weight that stress or grief dumps on you, though, it was an inspiring kind of weight. The weight of hundreds of years of memories in places that seem… simultaneously right next door and light years and light years away.

 

And if I didn’t have the pages from yesterday, I’d think it was all a dream. It still sort of feels like it may have been.

 

Their memories were so vivid to me… the way I wrote it for you is to simplify it… to make it understandable to you. But we weren’t having a conversation that was all in my head… it was all instant: fully formed sentences, stories, flashes of memories that I had to decipher.

 

Ugh, hold on, the phone’s ringing… it’s my editor, I have to take it. Hi Don, yeah, I’m working on it. New York?… what today? No, I still have too much to do… yeah I know it would be a great, opp-… ok, fine… when do I have to be there?

 

Sorry, I’ll have to cut this short… I have a last minute interview in the city today at CNN, apparently it’s a slow news day and I may not get another shot at this. Obviously my experience yesterday has me thinking irrationally if Don’s perception of reality is accurate… though I’m not sure if anyone’s perception of reality is accurate anymore.]

 

Oh my god… I thought I remembered everything. I thought—I thought I wrote every word consciously… but I just reread the entire text and at the end, I—I don’t remember writing this last sentence:

 

“They are all you.”

 

 

[Conclusion:]

 

Dave Conrey, thank you for sharing your work with us today. I loved exploring this piece and I hope that all of you listening enjoyed the adventure it took me on too. If you want to find out more about Dave you can follow him on Instagram @daveconrey. There are links in the shownotes to that, Dave’s website, which is simply daveconrey.com, and a link to check out the cover art that sparked today’s story if you still haven’t download Podcast Addict, which is the best podcasting app out there to get the full experience of Art Ink.

 

So usually this is where I say goodbye to you, but I’m curious… what did you think of that? What if this was the way reality actually worked? Feel free to email me any thoughts.

 

You remember how I told you there were more layers to this story… well there is actually a lot of personal symbolism woven in there, but the biggest thing for me was that this entire story took place on 9/11.

 

Like anyone residing inside the US, and I’m sure many of you in other countries too, I remember exactly where I was when the horrible news started to spread. I was about an hour north of NYC. It was my junior year in a brand new high school, I knew nobody around me, I didn’t have a cell phone, I worried that my Dad, who was a travelling repairman, might be in the city, but I had no way of knowing. Several of the kids in my English class were hysterically crying. Nobody was working. There was talk of sending us all home, but that didn’t happen and it made me more mad, more afraid. I’ve never really trusted public authorities to take care of me… I wanted out. But I sat there in silence and terror until I could go home and discover that my Dad was safe.

 

I remember the days, weeks, and months after that day as a blur of American flags, bumper stickers, and window decals. Giant flags flapping over the entire length of pickup truck beds. The ubiquitous rear window flags that appeared on at least half of all the cars I saw on the road. Then the words I saw over and over and over again on my commutes: Never Forget 9/11.

 

I almost titled this story “Forgetting 9/11,” but I figured that without a proper explanation that’d probably turn a lot of people off. But it was very intentional that I refrained from writing about 9/11 as we know it. Why?

 

Well, I didn’t mention this back before I left for my Creative Sandbox Retreat, but I almost didn’t go because the day I had to fly from NYC to San Jose happened to fall on 9/11. It gave me mild anxiety all year long. But I told myself I was being ridiculous. The day I flew out I tried to see the bright side… I was through security in under 5 minutes. No one was in line in front of me; apparently I wasn’t the only one who was afraid of flying on the infamous day.

 

When I made it to the retreat center unscathed and I told Melissa that I almost decided not to come because of my silly superstition, she totally understood. But later, during our opening circle Melissa said something that turned this whole thing around for me. And unfortunately I can’t even say I’m paraphrasing because although I can remember her words bringing tears to my eyes, I can’t remember what she said; well that’s proof that that expression is true: people won’t always remember what you say or do, but they will always remember how you make them feel.

 

I know that she repeated my fears to the group and then she said that she was glad that I decided to come anyway. Basically, Melissa pointed out to me that I was reshaping 9/11, that I was no longer living in its shadow, that I was turning it into something good, instead.

 

For many months now I’ve been seeing repetitive 1s, I always happen to look at the clock at 11:11 and 1:11, but after I started drafting the idea for this story and I decided to set the story on 9/11, I started seeing 9:11 on clocks almost daily, too. I took that as a personal sign to keep on writing this story.

 

So I mean no disrespect when I say that I want to forget 9/11. I don’t mean that we should forget the loved ones who were lost. But I do mean that we shouldn’t let the shadow of that one day darken all of the 9/11s that are to come.

 

And that goes for any personal shadows you might have that you’re holding onto. There is one person in my family who grieves the loss of someone who’s been dead for nearly 50 years. Every year when the calendar page turns to reveal their loved one’s death date, they mourn like the person died yesterday. They plan to have a horrible day and they do.

 

I dunno, maybe I’m selfish, but I’d rather celebrate that I’m still lucky enough to be alive than ruin another precious day I have on Earth. I mean, I’m not always a fucking ray of sunshine, don’t get me wrong, I feel painful things, I still need to purge my anger and sadness and fear with a good cry every once in awhile. But then I do my very best to let it go. It takes practice and I’m not perfect at it. But I think, for me, it’s time to let 9/11 go.

 

Your potential is limitless, not just as an artist, but as a human being. Once you realize that the possibilities really are infinite, then you have the power to choose which possibility you want to live. Own it my friend. Own it.

 

PS – There’s a crazy special offer going on on Patreon right now. If you support me for just $1 per month you’ll get access to my Patron-only Art Library (high res downloads of all the fine art I’ve created over the past decade 300+ images!!!). You’ll also have a character in an upcoming episode of Art Ink named after you!

 

All Patrons also get access to any content I put out 2 days before anyone else as well as a copy of my exclusive audiobook (which is pretty much Art Ink before it was Art Ink, so it’s like getting 100 mini bonus episodes!).

 

Offer ends 12/21/19 or after the 1st 100 people sign up. Become a Patron on Patreon here to get instant access to all of these goodies.

 

 

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Art Ink – 11 – Diptych in Love – A Short Story Inspired by Dorothy Siemens’ Art

 

Links from the Show at a Glance:

 

Artist: Dorothy Siemens

Title of Art: Wonder-Rapture

Artist’s Website: https://dorothysiemens.com/

Instagram: @dorothy.siemens

 

Dorothy’s Lyrical Language series

 

Support Rebekah on Patreon if you want more episodes! https://www.patreon.com/rebekahnemethy

 

Art Ink Submission Guidelines: rebekahnemethy.com/artinksubs

 

 

Art Ink Podcast Transcript:

 

[Intro:]

 

Hello my friends! Thank you for tuning in to a new episode of Art Ink!

 

I’m late with this episode, and I’m consciously preventing myself from pulling out the S-word. But I feel I owe you an explanation, nevertheless. I do this weird thing I’ve noticed that’s kind of a pattern for me: I seem to procrastinate on the things I want to do most, by unintentionally overcommitting myself. I also do this other thing that I’m afraid many of us in capitalistic societies do, and that is I makes choices based on money. It pains me to admit that, because I’ve spend a lot of time promising myself I will let my heart weigh in more heavily than my mind over the past few years, but unfortunately my head and my wallet still has an equal vote in my decisions.

 

At the end of a long texting vent with my BFF last week I apologized for complaining to her typing, I hope you’re not rolling your eyes at me, you’re probably even busier than that (she has two kids on totally different schedules, a job, and is going to school full time too), and I know I do this to myself. She replied, I’m not rolling my eyes, it’s like you have four jobs!

 

Even though I was aware that I have far too much to juggle right now, it hadn’t quite struck me until she did the math for me. Oh my god, I thought, I do have four jobs. And in order to prioritize this podcast, I just recently had to resign from some volunteer work I’ve been doing over the past 6 months. Yikes… so I actually had five jobs?

 

I didn’t wake up one day and say I’m going to use up every spare second of time I have every week… but back in March, when I had only 1 job I did reach out to a couple of animal organizations that I love. One of them was looking for volunteers and the other was looking for part-time seasonal help. And I ended up getting involved with both of them. So that was my new commitment for Saturday and Sunday.

 

Then, in June, a friend from my former photography job offered me a contract my logical side couldn’t resist, good money for working only 3 days per week for the next 6 months. After a happy but stressful year of totally freelancing doing audiobooks and voiceover, I thought it’d be nice to have a bit of consistent work so that I could focus on, guess what?, this podcast in my free time (which, at this point, was the remaining 2 days per week).

 

So I stopped auditioning for audiobooks and I went out of office on my Fiverr account… but the thing is, the audiobooks didn’t stop coming. Authors I didn’t even know were finding my samples on Audible, other clients I’d done a couple of jobs for were consistently sending me more work, and the stash of stories I had queued up for Art Ink rapidly started to dwindle as I hustled more and more.

 

Luckily, I only have 2 more months left on my contract at the photography job, and the busy season at the animal sanctuary will also be wrapping up around the same time, so that should free up some time.

 

I have soooo many great ideas for the future of this show. Not just story ideas, and lists and lists of artists that I want to feature, but also lists of ideas about teaching storytelling to creatives of all kinds, and reaching out to authors and writers willing to help create more content, AND ideas for special episodes. But, this all takes time. Time, time, time. Despite my inability to do simple math to count how many jobs I’ve signed up for, I’m kind of a nerd when it comes to project tracking. I track the time spent on all of my audiobook projects and, although I’ve been a bit lax about tracking every little bit of my time spent on Art Ink, I can tell you that the time I have tracked clocks in at 144 hours… so that’s about 10 hours per episode. And, like I said, there have been some days when I didn’t track my time. Like the entire 5 days I spent at my recent creativity retreat. I had no internet there, so I didn’t bother trying to use the web-based tool I normally use.

 

So why am I telling you all of this? Well, I want to let you in on a little secret, and it’s a super scary secret to share, because of this silly superstition I have that wishes revealed don’t come true. I actually have this daydream quite often… I imagine Art Ink being a daily podcast. I imagine it being the thing I work on full time. I imagine an inbox full of submissions from other artists with the story bug, and emails from listeners that say they discovered a new artist, or even more amazing, artists who say listeners found and bought their art after listening to a story here.

 

The truth about podcasting is that it is a labor of love. Independent podcasters podcast because they WANT to do it, not because it’s a quick and easy way to fame and fortune, which is actually a quite comical misconception among newbie podcasters. I am paying for this podcast to go out into the world, in money AND in time. I do have a few loyal Patrons whose kind donations pay for the monthly hosting fees for this podcast, but aside from that, the only payment I’m getting is the satisfaction of doing it. And, unfortunately, that does limit how much I can do when I have to decide between paying my mortgage on time or putting out my podcast on time. Ugh. I hate capitalism. #1stworldproblems right?

 

But if you’re enjoying this show and you want more episodes I have great news, because you can always pledge your support at patreon.com/rebekahnemethy. With your help I might be able to more easily choose my heart over my head and maybe even get these episodes out on time! And you’ll also get a bunch of bonuses that you can only find on Patreon, like getting access to the show 2 days early, a copy of my Artsy Reflections audiobook, and a blooper reel that’s guaranteed to crack you up.

 

Ok, with that said, let’s get ready to dig into today’s story! Today’s featured artist is one of my favorite artists, and today’s cover art is, unfortunately, not for sale because I beat you to it! Haha.

 

I met Dorothy Siemens several years ago in an online art marketing course, and I’ve been hooked on her work ever since! The way her art is filled with layer upon layer of color and texture makes me swoon so much so that, many times, I’ve been shocked to discover that I’m looking at the progress photo of a half done, or even just begun, painting.

 

Dorothy mostly works in oil and cold wax with oil sticks, but she’s not afraid to experiment and often slips in other mediums and materials. Gold leaf is a recurring element in many of her pieces, and I’ve seen her beautifully incorporate collage into her paintings as well. Flowers, birds, and plant life (both real and imagined) are recurring themes in Dorothy’s work, and she’s brilliant at painting patterns that give this viewer an instant sense of relaxation. But Dorothy can also dazzle me when she dips into the realm of the abstract.

 

Wonder-Rapture, the piece that sparked today’s story, is actually one of Dorothy’s more abstract paintings, so let me repaint it into your imagination until you get a chance to check it out yourself.

 

[Art Description:]

 

So, Wonder-Rapture is a diptych made up of two square panels. The panel on the left is primarily blue, and the one on the right is pink. The tops of both panels have, what looks to me, like gold clouds. On the bottom of them both are many different words blending into each other and the backgrounds in various shades of blue, pink, and gold. The most prominent word on the blue panel is “wonder,” and on the pink panel the word that stands out the most, if you haven’t already guessed, “rapture.” The element that connects the two pieces is a thick calligraphic white line that loops across the horizon along bottom third.

 

The truth is, when I first saw these paintings I fell in love… and I was absolutely convinced, when I recalled them later on, that the script actually said, “love.” I was wrong, though the white line seems like writing at a glance, it’s an abstract style known as “asemic writing,” which intentionally leaves the words open to interpretation or, in my case, imagination.

 

I call this work of fiction, Diptych in Love… enjoy.

 

[Story:]

 

 

Lila

 

She was running as fast as she could, as far as she could, but she didn’t know why she was running or who she was running from. No matter. Astrid had been 100% right thus far and so when Lila saw the words, “RUN AWAY NOW!” she didn’t hesitate.

 

Her burning thighs wouldn’t take her any further, though, so after a quick glance over her shoulder to reassure herself the street behind her was empty, she slowed then stopped; panted with her head between her knees.

 

Lila didn’t know how far she’d run, but it felt like miles. She took in her surroundings, then crept into the shadow of a large oak tree in the darkest nearby yard and squatted next to it as her breathing slowed to its regular rhythm. The moon was just a sliver in the sky, but a surprising number of houses still sent beams of yellow-orange light into the street.

 

A car slowly washed out the warm tinted light with large, bright white high beams.

 

Lila held her breath.

 

The white cones continued past though, and Lila sighed as the darkness enveloped her surroundings once again, seemingly darker now.

 

The white, bold letters flashed in her mind once again, “RUN AWAY NOW!” and Lila relived the feeling of the energy Astrid had sent along with that cryptic message. It was like an invisible oxygen-draining wave had washed over her body, amplifying the white noise in her ears and sending goosebumps rippling down her skin as it rushed past. Fear.

 

It was one of many messages that only she had ever been able to see. Lila’s body sagged with the thought; with the way it isolated her. Who would ever believe her if she needed to find help? What if Astrid needed help?

 

Lila laughed out loud before she could stop herself; threw her hand over her mouth, peered around with wide eyes that were, once again, adjusting to the dim light.

 

Still alone. Still safe.

 

The thing was, though, Astrid was a painting, well two paintings that went together. A diptych, they called it, Lila had come to find out. Laughing at herself seemed to make it ok, though, as if the laughter negated the fact that she had named a painting; negated any feelings Lila might have developed for Astrid.

 

She found herself reminiscing about the day she pulled back the dusty afghan to reveal the two canvases. She was rummaging through her late grandmother’s attic, moving onto another pile of long-forgotten boxes, and there they were, leaned up against the cardboard like a pair of tipped dominoes.

 

Lila could still remember the feeling in her stomach when she first set eyes on them. She’d gasped at the beauty, and it was as if she’d swallowed the dust swirling through the late afternoon sunbeams and they’d magically transformed into butterflies frolicking deep in her belly.

 

She slid the paintings apart to find that the white flowy script connected them to one another. The word love swept across the two canvases, making them one. The first square panel was blue with a gold cloud floating at the top. The second canvas was pink with a golden cloud. Both paintings had various words scribbled beneath the main lettering, various shades of blue, gold, and pink blended them in and out of the background.

 

Lila remembered this moment so vividly, taking in every detail of the artwork, standing there, enraptured, until the dust settled and the slivers of sun disappeared one by one. She knew what she had seen.

 

Yet later that night, when Lila was hanging the paintings, things had changed.

 

“Pretty paintings,” Naomi had said from behind her, “I never saw that at your grandma’s house.”

 

“Me neither, it was up in the attic,” Lila said, “I figured a little more love couldn’t hurt?”

 

“What do you mean?” Naomi asked.

 

“Ah… isn’t it pretty obvious,” Lila collected her hammer and level; was closing the box of nails.

 

“Well, I’m no art critic, but it looks pretty abstract to me… but if you get a love vibe from it, I’m not going to argue with you.”

 

Lila spun around, arms full of tools, “what is there to interpret?” she laughed. “It clearly says…” but as she looked up Lila trailed off, because the word wasn’t there anymore. “That’s strange… I could’ve sworn it said love.”

 

“That first loop kinda looks like an L,” Naomi said, “and I guess that could be an E at the end, but that’s as far as I can take it.”

 

She was right… the white script was nothing but a thick, looping line… not a word at all.

 

How could I have misread that? Lila thought. How could I have ‘read’ it in the first place?

 

“That’s ok, it’s still pretty,” Naomi said, and she pecked Lila on the cheek before she left the room.

 

A bit dumbfounded, Lila watched as Naomi walked away. She turned back to the painting. Stared at it. She was sure the duo had said love.

 

After a moment Lila shook her head silently to herself and headed to the garage to unload her tools. As she’d returned to the living room, however, she looked up at the wall and stopped short. The thick white line that stretched across the canvas now said something else: “Company’s Coming,” it read, and in the next second a knock startled Lila out of her disbelief.

 

“What the fuck?” she whispered to herself.

 

Lila cautiously peered through the peephole, and sighed out her held breath when she recognized Mrs. Jones’ smiling green eyes peering over a mountainous plate of assorted cookies. “What’s all this Mrs. Jones?” Lila said pulling the door open.

 

“Oh we had leftovers from my granddaughter’s bake sale, and I thought I’d share the wealth. You know my metabolism isn’t what it used to be,” she said pushing the cookies through the doorway.

 

“That’s so kind of you, Mrs. Jones, thank you,” Lila said, “do you want to come in for-”

 

“No, no dear,” she was already walking away, “I”ve already gorged myself enough for one day, gotta burn off some these calories before the sun goes down.”

 

“Well thanks again,” Lila said, and Mrs. Jones threw a hand over her shoulder in a half wave as she speed walked across the yard.

 

By the time Lila got the cookies to the coffee table, the painting had returned back to its abstractly wordless state.

 

The next time Astrid had morphed to message Lila it had been with a single word: “Rain.”

 

“Look at that!” Lila had exclaimed.

 

“What?!” Naomi said, startled, but when she followed Lila’s gaze to the art on the wall her expression remained unchanged.

 

“The painting.”

 

“What about it?” she looked again.

 

“Nothing, I thought I saw a bug.” Lila lied.

 

And Naomi went back to her book.

 

Lila had gone out shopping sometime after that. When she headed inside the sky was blue and cloudless, just as it was when she stepped back out into the sunshine an hour later, but there was steam rising from the parking lot pavement now, which was also a shade darker than it had been before.

 

It was summertime standard practice for Lila to leave her windows open a crack… rain was extremely rare in this part of California, especially this time of year. But she hadn’t considered the painting’s prediction; had tried to put it out of her head.

 

Her soggy seat didn’t let her forget it for the rest of the ride home, though.

 

How funny that her butt was wet now too, Lila thought, coming back to her present predicament. She clutched her knees to her chest. At least it was a warm wet spot, which was, honestly, one of the main reasons she’d been able to sit there in the dark, in a stranger’s front yard for christsakes, for so long reminiscing. But if she was completely honest, she’d also have to admit that she was too scared to go back.

 

At least Naomi wasn’t home… she was safe… but what about Astrid? Oh, why didn’t I think to grab my phone? Lila thought.

 

“Love.” It was a flash of calligraphy in Lila’s mind accompanied by that fluttery feeling she’d come to expect. It was immediately followed by a wave of shame, then a splattering of confusion.

 

Lila had tried to tell Naomi about Astrid’s messages, but she just didn’t see them. Though Lila had conveniently omitted the numerous times Astrid had sent her “Love.”

 

Lila didn’t know if she should feel grateful, or guilty, or just plain crazy. It seemed silly to admit she might be in love with a painting, but clearly Astrid loved her, otherwise why would she try to protect her? And what was she protecting her from?

 

Eventually she found the bravery to creep back home. She reached the edge of the property much quicker than expected… all that running had seemed to take so long. It was as if she’d watched a movie in slow motion to make it last, but once it was over only 5 minutes had passed.

 

It felt odd to be sneaking around her own house. She was crouching behind a bush, peeking through branches when a nearby vehicle suddenly growled to life. Headlights illuminated the street as a dark-colored van raced away from the front of her house.

 

Lila snuck around the perimeter, checking the darkness for intruders. Assured that she was alone, at least outside, she turned her attention to the house. There were more lights on inside than there should’ve been, so she crept around a second time peeking in the windows as she went. When she finally made her way to the front door she found it was cracked open, the wood splintered near the knob.

 

She pushed the door slowly… tensing as a screechy squeak tore open the silence. When Lila finally got up the nerve to step fully into the room, the fear she’d felt just before she’d fled returned full force, static erupted in her ears and pulsed louder with each thundering thud of her heart. Astrid was gone.

 

 

Naomi

 

“Uhhh, why is your ass all wet?” Naomi asked, grinning, “Did you have an accident?”

 

Lila didn’t exactly slam her keys on the countertop, but she didn’t put them down gently either. She dropped the shopping bag to the floor and spun around. “It rained,” she said, all business, “no, actually it poured.”

 

“I’m sorry?”

 

“Naomi, we live in California and it’s July.” She stared at her wife hard.

 

Naomi finally raised an eyebrow in response.

 

Lila sighed. “You know earlier, when I asked you to look at the painting?”

“Yeah…”

 

“The painting… it-it’s been sending me messages. The white line changes into legible words sometimes, and… when it happened earlier I was trying to get you to see it,” Lila sighed again, “but it’s obvious you didn’t.” She looked at the ground.

 

“See what?” Naomi was suddenly in front of her, two hands gently gripping Lila’s shoulders. She moved one hand to Lila’s chin and tipped it upwards, “What didn’t I see?”

 

“It said, ‘rain,” Naomi, and that’s not the first time it’s predicted the future. It knew when Mrs. Jones was coming over, too.”

 

Naomi didn’t say anything. She didn’t want to lie, but she didn’t want to be overeager with her knowledge either. The truth was Naomi had gotten some of her own messages… she hadn’t seen the one about the rain earlier, though, and that news made her wary. It made her want to keep her art criticisms to herself.

 

“You don’t believe me, do you?” Lila interrupted Naomi’s thoughts.

 

“Of course, I do.” She said, and pulled Lila in for a hug. It may have seemed like Naomi was reassuring her wife, but she was just as much trying to comfort herself.

 

It wasn’t just the weird premonitions though, it was the angry, vindictive vibes Naomi felt sometimes… especially when she was close to Lila, like now, she felt it now.

 

Naomi glanced into the living room. Her eyes darted around the room, but avoided the wall. She wanted to disprove herself. Just a quick look to see that the paintings were exactly as- but they weren’t. The once graceful flourish that linked the two squares was now drippy and jagged, “Bloody Nomi,” it said.

 

“What’s wrong?” Lila asked, pulling back.

 

Naomi must have flinched or squeezed her too hard or… something. She wasn’t sure. She tried to look anywhere but at the sinister art, but Lila had already caught her gaze and spun around to see.

 

Luckily, however, as Naomi had expected, they were receiving private messages. She did her best to calm her face, to act normal, to pretend literally anything else was happening.

 

“So… salads?” Naomi forced a smile, “Is that what we decided for tonight?” She didn’t wait for an answer, though, and began pulling vegetables out of the fridge. She rolled a barely ripe tomato into the center of a cutting board and grabbed her chef knife. On the very first slice, though, Naomi’s knife slipped across the fruit’s firm, smooth surface and slid into the meaty flesh of her thumb.

 

The knife was just recently sharpened, and so it took a few seconds for Naomi to register the pain, clean and quick as that slice was. Well, quick anyway, definitely not clean. Bloody was a euphemism, Naomi thought, bitterly. She managed to avoid looking at the living room wall on their way out to the car.

 

Six stitches later Lila and Naomi were back home, sipping on gin and tonics, and still regretting (and digesting) their vending machine dinner from hours earlier. The alcohol was making it a little easier for her to ignore the foreshadowing twins… but not for long.

 

“So, I’ve been doing some research,” Lila brought her laptop with her as she sat herself on the arm of Naomi’s recliner. “This kind of abstract art, lines that look like writing but actually aren’t, is called asemic writing.” She twisted the screen towards Naomi, “Isn’t that interesting?”

 

“Sure,” Naomi said, and looked over the Google Image results for just enough time to act like she gave a shit. “Cool,” she concluded, turning her gaze back to her book.

 

“So, I was thinking maybe we should name her!”

 

“Name who?”

 

“The painting.”

 

“Her?”

 

“Yeah… what about Astrid?”

 

“Astrid? Why Astrid?”

 

“I dunno,” Lila giggled, “I couldn’t think of any other name that began with AS.”

 

“What about Ashley?”

 

“Too young and dumb sounding. Astrid sounds wise… elegant… don’t you think?”

 

“Sure, baby, Astrid’s a great name.” And Naomi faked her second smile of the evening. It didn’t feel good. She wasn’t proud of it, but she hadn’t told Lila about the message she’d seen right before she cut herself. Maybe she could trick this Asshole, Astrid, into believing she didn’t see her messages.

 

Naomi wasn’t sure if the painting was predicting the future or creating it, but either way, she needed to find out.

 

Lila was oogling the Ass art. Seriously, it was disgusting… like watching a gaggle of girls swoon over the Fonz for absolutely. no. reason. Naomi couldn’t help but follow Lila’s gaze to the wall, and what she saw turned her stomach.

 

“Love,” it said. Like the first time Lila had seen it.

 

Naomi realized that this was another first; this was the first time the painting was letting them both read the same message. It was toying with her. Making her watch as Lila was lured to it.

 

Then, the word “Love,” began to fade to gray and rippled until new words began to form. The words appeared in a bouncy yet elegant script: “Lila Loves Astrid.”

 

 

Astrid

 

The rain drummed on the van’s rooftop; fat, wet drops that echoed through the cavernous, tinny space. It was like the world was sobbing for her, because, of course, Astrid couldn’t cry herself. She wondered if it might offer her some relief if she could. Probably not, she decided.

 

She had no idea where she was going, and she had absolutely no interest in finding out. She was already leaving the one place in the world where she’d wanted to be. That’s all she needed to know.

 

Astrid had always had such strength and control over her thoughts. Not now, though. Now her visions were chaotic; bipolar. Flashes of the fear on Lila’s face kept returning. The panic that Astrid herself had caused. She hadn’t wanted to hurt her, hadn’t wanted to leave, but for Lila’s own safety it was the only option.

 

Astrid forced her thoughts back to her favorite memory: Lila’s wondrous brown eyes scanning every inch of her that day in the attic; the sparkling dust making her shimmer like some kind of magickal princess. It was truly love at first sight. What Lila didn’t know, though, was that Astrid had been seeing that moment for decades. To feel what she’d hoped to be true for so long in that instant was enrapturing: Lila loved her back.

 

Astrid hadn’t known she was already taken, though. How could she have known? Not that it would have mattered… the heart wants what it wants; feels what it feels; loves who it loves. And Astrid’s heart chose Lila.

 

And Naomi had used that against her. Used love as a weapon.

 

Astrid was conscious, precognitive, hell, you might even call her magickal… but she was not all-knowing. She’d suspected Naomi had been lying, but if there was even a slight chance that Lila could’ve been hurt… well that’s why Astrid had told her to run away.

 

Light stretched across the white interior in amoebic patterned trapezoids. A piece of bare metal flashed, reminded Astrid of the glint of the knife Naomi held, the reflection in her crazed eyes. “Either she goes… or you do,” she’d said, “if I have to lose her, it won’t be to you.”

 

Lila hadn’t known Naomi was just around the corner, crouching in the dark, when she got home. There was no time to explain, no time to say goodbye.

 

Again, Lila’s panicked expression appeared in vivid detail; impossible to push away.

 

After Lila took off, Naomi had gotten to work. She shoved the couch askew and twisted the coffee table. She thrust her elbow into the wall, leaving a divot that sprinkled crumbled sheetrock to the floor.

 

She left the room briefly, but after a bit of metallic shuffling from the garage, returned with a crowbar. She passed through the living room and headed out the front door. Astrid heard the dead bolt engage. Seconds later though, there was a thump, and the sound of splintering wood as Naomi pried her way back through.

 

Once Naomi had returned the crowbar she stomped back into the living room and pulled Astrid off of the walls, one hand gripping each panel. She roughly stacked Astrid’s pieces together and shoved her into an industrial sized garbage bag. And then, for Astrid, everything had gone black.

 

They were in the car for a while after that. Maybe an hour? And then suddenly there was a deep, muffled voice mixing with Naomi’s. Astrid felt herself being lifted, swinging through the air, and then gripped by large hands that pressed into the wrinkled plastic.

 

Car doors opened, closed. The sound of Naomi’s car faded away and Astrid felt the open air above her as the loud garbage bag was shimmied down her sides.

 

The smile that spread across the man’s face showed recognition, but Astrid didn’t have a clue who he was. She remained abstract, wary of showing her ability to a stranger.

 

He gently leaned her against the wall of his van and strapped her securely in place. And that’s where she’d been, watching the sickly looking light leak through the rain covered windows, and filled with a strange sense of regret for letting Lila live… for she knew now that death was probably kinder than Naomi.

 

 

[Conclusion:]

 

Thank you my friends for listening, and thank you Dorothy for sharing Wonder-Rapture with all of us.

 

Please check out the cover art when you can, and click through to the show notes to visit Dorothy’s website and follow her on Instagram. If you visit dorothysiemens.com you can find all of the current work she has for sale, which includes an entire series titled “Lyrical Language,” just in case you’re interested in seeing more paintings similar to today’s featured art. You can find Dorothy on Instagram @dorothy.siemens, and her most recent work is absolutely breathtaking. She been painting in purple and teal pallets the most beautiful little impressionistic landscapes and moonscapes… if you like Monet, you don’t want to miss out on Dorothy’s latest posts.

 

Seriously, go, right now… alright, my friends, that’s all for today. But make sure you’re subscribed to join me on our next art-inspired adventure.

 

Ciao!

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The Zombie Robot Apocalypse – Artsy Reflections 97

You know that ditz you see in your home town? The one who’s using “walk mode” on her GPS to get 50 feet from where she parked her car. Well that’s me… only I mute the volume and try to pretend I’m texting.

But sometimes, even my GPS can’t save me.

I was headed to Safe Haven Animal Sanctuary, which wasn’t far from me. I’d reviewed the route on my computer before I left AND I was using phone navigation to get there.

Stopped at the red light, which was my last familiar landmark before heading into unknown territory, I recalled that once I’d turned onto the road in front of me, I’d be looking for the 1st quick left. When I turned, though, Miss Google Maps told me my turn was over a mile ahead and on the right. She sounded so sure, I just listened to her; Miss Google Maps knew what she was talking about.

In my defense I did, vaguely, sense that something was off… but I also questioned my own memory about the left-hand turn. About 6 minutes later I found myself at the very same traffic light I mentioned earlier.

Apparently, Miss Google Maps had lost her connection and rerouted me in a pointless circle.

I don’t know about you, but I’m already a robot when I’m driving. When smart cars take over I’ll be a zombie, totally unaware of what my car is doing and where it’s taking me. I’ll be writing, or reading, or watching Netflix as my car drives me off a cliff.

At the same time, I’m oddly eager for this kind of zombie robot apocalypse to happen in my lifetime.

What about you? One report I heard said Ford plans on releasing fully automated smart cars within 4 years. What do you think about a world full of robot drivers?

 

Did you know?

Patrons got to see this 2 days before anyone else, and that’s only the start of Patron perks!

Artsy Reflections started out as the Photo and 100 Words project back in 2014 – find out why I started it and how it evolved.

 

Find Your Gold – Artsy Reflections 95

Melted Gold – Buy it

Finish the sentence: I suck at ______. What’s the 1st thing that comes to your mind?

Do you wish you didn’t suck at that thing? Have you ever tried to not suck at it? Can you attribute your suckiness to something someone told you?

For me, the things I’m so quick to dismiss as things I can’t do are often the things I wish I could do most of all.

I suck at singing.

I was 5 years old, sitting on the toilet, swinging my legs, and singing like no one was listening.

“You’re not on Broadway, you’re in the bathroom, Becky!

To be honest, I don’t remember exactly what my mother said. All I know is that I was made painfully aware that my singing was heard and not appreciated.

Maybe it wasn’t even an attack on my voice. Maybe someone just had to use the bathroom and I was taking too long… but I thought I sucked at singing for years afterwards.

That’s why I limited my urges to those times when I knew no one could hear me, but I never stopped. I sang in the car, when I was home alone, and every once in awhile, when the music was loud enough, I’d sing among close friends.

A few years ago, I was singing in the car with my friend Dominique. She told me I had a pretty good voice and suddenly 20+ years of doubt melted away. I can’t explain why I needed validation to do something that brought me joy, whether I sucked or not, but I’m grateful my friend helped me see a little bit of my gold.

The gold found in this photo was reflected into a silver lined bottle and wrapped in wire very similar to a chain link fence. (See that vague outline of the wire in the foreground?) Sometimes you can’t cut down the barrier that blocks you from getting to your gold, but you can look through the gaps… and as you focus on the gold, you’ll find that your barriers start to fade away.

 

Are You Still Grateful? – Artsy Reflections 94

 

Abstract gold line stretch across a blue background in this photograph of a reflection.

Stretched Gold

Thanksgiving was sooo last week… and that’s where many Americans left their gratitude. I’ve always thought it so interesting how a day of gratitude is followed by a day of chaotic consumerism. The start of a season that’s supposed to be about giving has been skewed into a salesy spending frenzy.

Wouldn’t it be funny if I gave you a coupon code right now? Nope, I’m not here to beg for your credit card… even though it is purple Wednesday…

I guess I just wanted to remind you, and myself, not to let gratitude get all fuzzy around the edges. Remind yourself what you’re grateful for every day.

I’m grateful for:

You, my virtual friends

My rock, and partner in life, Nick

My BFF, Lauren

My “boss” John Walsh – follow him on Instagram

My dog… duh!

A warm house with an overflowing drawer of fuzzy socks

 

What/who are you grateful for right now?

 

Grumpy Moon – Photo and 100 Words 86

Grumpy Moon

Grumpy Moon

In my last series, my restrictions pushed my creativity further than I ever would have if I’d had a completely blank slate. In this series, though, the rules seemed to be holding me back.

Abstract photography made from literal reflections was my initial idea, but there were so many beautiful details outside of that barrier that kept calling to me.

The wine glass as a reflective surface was just not as interesting as the distorted magnifying glass I discovered it could be. After finding so much success with my cloud dish and then seeing so much inspiration all around me, I couldn’t stop there!

I expected some evolution in the beginning, but it happened so fast, and soon enough I was rewriting the rules… it’s ok, I can do that, I’m the boss.

Now I’m wondering if ‘abstract’ is a stretch for this image. It’s so obviously a moon, but I found it through a wine glass in a seahorse’s tail.

 

What are these numbered posts all about? Read the introduction to my Photo & 100 Words project and find out!

 

A Whale of a Choice – Photo and 100 Words 83

WARNING ALL MEN, this might be TMI for you #femaleproblems

Belly Full

Belly Full

My throat was swelling up, closing in, making it harder to breathe. The night before my OBGYN appointment I was frantically researching every birth control method I could find.

“There are so many choices,” one article claimed, and went on about several different methods of dosing yourself with the same hormones in “the pill” I was trying to ditch.

Don’t want hormones? No problem! Your doctor can stick a copper, t-shaped tampon up your hoo-ha and it’ll poison every sperm that swims by for the next 5 years… just give me a syringe and rat poison; I’ll save them the trouble.

No? What about these permanent, ‘non-surgical’ inserts that plug fallopian tubes with metal coils? They create scar tissue roadblocks for eggs… and other painful complications that have led to hysterectomies!

Surgery? No thanks. So I’m left with condoms and the rhythm method, both of which have laughable statistics.

The word ‘choice’ suggests some degree of control, but instead, I was spiraling out of it.

I didn’t see the pregnant belly until I was in Lightroom, and I didn’t see the whale until Nick pointed it out. Choice, I thought, and vividly relived that night.

What do you see?

 

What are these numbered posts all about? Read the introduction to my Photo & 100 Words project and find out!

 

A Cloud in My Kitchen – Photo and 100 Words 82

Pastel Sky

Pastel Sky

I found myself in a zombie-like state at 3am. I was determined to examine every blue and purple object that popped up in my Etsy search. Decorating our new kitchen was my obsession of the moment, and even though I was going crosseyed, I kept clicking away.

“I should be making art,” my guilty concious reminded me when I first sat down with my laptop at 7pm. This is what happens to us artists: by making art a job, we often feel guilty when we want to scratch a new creative itch.

Among the many beautiful handmade pieces I found on Etsy, I came across a little ceramic jewelry dish shaped like a cloud. It didn’t totally match all the other things I bought, but it was just too adorably dreamy to pass up.

The photo above was made by looking at my little cloud through the lens of a water-filled wine glass. If I had never taken the time to shop, I wouldn’t have been able to share this photo.

I didn’t know it at the time, but I was creating art all along.

 

What are these numbered posts all about? Read the introduction to my Photo & 100 Words project and find out!

 

Reflections – A New Series

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I’m a reflective person, and I’m not just talking about the sheen from my sweating problem… da-dum-dum; I’m an overthinker. Such extreme thoughtfulness has its curses, but I’ve come to realize it’s what makes me so sentimental.

I cherish memories so much because I live them over and over again in my head, on paper, and then, sometimes, on this screen. It’s why photography is so important to me.

Every photo is a frozen memory. BUT every memory is also a reflection. AND every reflection is a distortion of the truth based on perspective.

In my next series I’ll be exploring all kinds of reflections, both literal and figurative.

 

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